Text page with initials and rubrics. Initials and rubrics in red. De unitate sanctae trinitatis (f.1); De differentiis, Etymologiae (incomplete), De miraculis Christi The Cathedral Church of St Mary, Salisbury: probably to be identified with no. 23 in Patrick
decoration, at the beginning of Psalm 1 opening the breviary, and two smaller initials with penwork decoration: 'Q'(uare) and 'D'(omine), at the beginings of Psalms 2 and 3. Includes a calendar with Easter tables (ff. 1v-8), noting the feast of
interlaced with foliage, at the beginning of book 1. Includes Augustine's De civitate Dei preceded by the section relating to it in the Retractationes (f. 5v) and notes on the De civitate Dei by Lanfranc, written by a different but
creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).
creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).
creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).
creature enmeshed in foliage (f. 4). Large initial in red (now oxided) with a blue wash and foliate decoration (f. 1). Large initial in green (f. 3v). Title, prologue, incipit and explicit in red or green capitals (ff. 1-4, 53).
'Liber de claust[r]o Roffens[i]', and 'S[ecund]a p[ar]s psalt[er]ii s[ecundu]m Aug. Arnulphi p[ri]oris', 14th century (f. 1); included in the Rochester library catalogue of 1122-1123, no. 1 as 'Expositionem eiusdem super psalterium in iii voluminibus'; and in the catalogue of 1202,
smaller decorated initials, in colours (ff. 1, 10, 38v, 76, 111). Smaller and small initials in plain red or blue, some with penwork decoration in blue or red. Cadels. Chronicle Inscribed in red, 15th century: '1298 in tegernse [Tegernsee, in
Book 5.19-20 of the Historia ecclesiastica Wellcome Historical Medical Museum, inventory no. 67205: inscription in pencil '67205' (f. 1); small fragment afflixed to an unfoliated flyleaf with the number 67205.Purchased in 1943 by the British Museum, using the Farnborough Fund
of Robert and Edward Harley, earls of Oxford: owned in the early 18th century, his inscription 'Liber Humphredi Wanley' (f. 1); given by him to Robert Harley.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of
of Robert and Edward Harley, earls of Oxford: owned in the early 18th century, his inscription 'Liber Humphredi Wanley' (f. 1); given by him to Robert Harley.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of
of Robert and Edward Harley, earls of Oxford: owned in the early 18th century, his inscription 'Liber Humphredi Wanley' (f. 1); given by him to Robert Harley.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of
of Robert and Edward Harley, earls of Oxford: owned in the early 18th century, his inscription 'Liber Humphredi Wanley' (f. 1); given by him to Robert Harley.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of
bar border including interlace at the beginning of Psalm 1. Beginning with a calendar (ff. 1-5v, lacking the end) including in blue: Judoci (9 Jan.), in gold: Valentini (14 Feb.), Barnabe (11 June), Grimbaldi and his translation (8 July, and
of Robert and Edward Harley, earls of Oxford: owned in the early 18th century, his inscription 'Liber Humphredi Wanley' (f. 1); given by him to Robert Harley.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of
signatures.Unusual iconography on f. 33v, where one is unsure whether the Deposition or the Nailing to the cross is depicted. 1 large miniature of Gregory the Great writing, inspired by the Holy Spirit, outlined in brown ink, with some yellow
signatures.Unusual iconography on f. 33v, where one is unsure whether the Deposition or the Nailing to the cross is depicted. 1 large miniature of Gregory the Great writing, inspired by the Holy Spirit, outlined in brown ink, with some yellow
Detail of decorated initial. Numerous diagrams. 1 large foliate initial, in colours and gold, with extension into the margin (f. 7). 1 large initial in gold on a blue ground (f. 16). 7 large initials in red, green or blue,
Detail of decorated initial. Numerous diagrams. 1 large foliate initial, in colours and gold, with extension into the margin (f. 7). 1 large initial in gold on a blue ground (f. 16). 7 large initials in red, green or blue,