translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
Display script by Petruccio Ubaldini, Prologue. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v) and an index
Prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de
Display script by Petruccio Ubaldini, Psalm 1. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v) and an
Detail of the prefatory miniature of David praying with an angel holding a sword, scourge, and skull, in an oval frame. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours
Prefatory miniature of the arms of Henry Fitzalan, earl of Arundel, with his motto, 'Virtutis laus actio', and his monogram. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of
Detail of display script by Petruccio Ubaldini, Psalm 1. Illuminated by a French artist, another manuscript decorated by him is Vatican Library, Vat. Lat. 14936, the 'Hours of Catherine de Medici'. Includes the preface 'Psalterium Romae dudum' (f. 2v)
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
translation of c. 1503 by Claude de Seyssel, translated, according to his prologue (ff. 10-15), from the Latin version of John Lascaris of the Greek text from a manuscript in the French royal library at Blois brought by Charles VIII
Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and
Missal, Use of Rome Executed at Lisbon for the rectification of the services of the Portuguese Church, by order of John III King of Portugal (1521-1557), and completed after his death under the patronage of his wife, Queen Catherine, and
that most of John Prise's religious manuscripts came from such houses.Sir John Prise (alias Sion ap Rhys, b. 1502 or 1503, d. 1555): 'John Prise: is Owner of this booke' (f. 2); cf. N. R. Ker, 'Sir John Prise', ~The
that most of John Prise's religious manuscripts came from such houses.Sir John Prise (alias Sion ap Rhys, b. 1502 or 1503, d. 1555): 'John Prise: is Owner of this booke' (f. 2); cf. N. R. Ker, 'Sir John Prise', ~The
their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial John Multon John Multon John Lydgate London England, S. E. (London)