Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning
foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master
foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master
foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master
foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master
foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master
foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master
foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master
foliate borders, in colours and gold (ff. 1, 36, 129v). Small initials and line fillers in gold on red and blue grounds. Capitals highlighted in yellow. Cadels. Life of Christ (books 6-10) Charles I de Melun (d. 1468), Grand Master
309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the
(ff. 1, 28, 43v, 59v, 76v, 92, 106, 123, 138v). Alternating initials in red or blue. Rubrics in red. Marginal notes in red. Letters and other texts Written by Pietro Cennini in Florence in 1467: colophon reads, 'Scripsit florentie hoc
crayon of a face (f. 1*v) and an ?initial (f. 1v).Erased inscription (f. 2, upper margin). Numerous large initials in blue. Text initials with some penwork decoration (ff. 2-109). Descenders and ascenders of letters alongside the writing frame often with
309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the
309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
the Opus qui Candelabrum nominatur; in the lower margin heraldic arms added. 1 large initial in blue with reserved designs and penwork decoration in brown, including an added sketch of a king (f. 1). 7 spaces for large illuminated initials