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red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
beginning of the Gospel of John. Musical notation 3 large initials in red with penwork decoration. Large and small simple red or blue initials. Musical notation on four-line staves. Hymns for the vigils of the Ascension ('Eterne rex altissime'), Katherine
Detail of a historiated Initial 'Q'(uod) of John writing his epistle, at the beginning of John I. Rebound for Henry VIII.Associated with a group of manuscripts (the 'William of Devon group'): Blackburn, Museum and Art Gallery, Ms. 091.21001, Egerton 1151,
Detail of a historiated Initial 'S'(enior) of John holding a scroll, at the beginning of John II. Rebound for Henry VIII.Associated with a group of manuscripts (the 'William of Devon group'): Blackburn, Museum and Art Gallery, Ms. 091.21001, Egerton 1151,
Detail of a historiated Initial 'S'(enior) of John holding a scroll, at the beginning of John III, and of a historiated initial 'I'(udas) of Jude holding a book, at the beginning of Jude. Rebound for Henry VIII.Associated with a group
Historiated Initial 'I'(ohannes) of John holding a book, at the beginning of the prologue to Revelation, and a historiated initial 'A'(pocalipsis) of John writing at a desk, at the beginning of Revelation. Rebound for Henry VIII.Associated with a group of
blue. Omitted text written in the margins in red frames. Commentary on Leviticus The Carthusian priory of St. Mary, St. John the Baptist and All Saints, Henton, Somerset (founded 1235): inscribed 'Explanat[i]o d[omi]ni Rad[u]l/phii Flaviacens[is] monachi / sup[er] librum Leviticum
blue. Omitted text written in the margins in red frames. Commentary on Leviticus The Carthusian priory of St. Mary, St. John the Baptist and All Saints, Henton, Somerset (founded 1235): inscribed 'Explanat[i]o d[omi]ni Rad[u]l/phii Flaviacens[is] monachi / sup[er] librum Leviticum
Lamentations (ff. 1, 1v). Initials in green, or red. Commentary on Lamentations The Benedictine abbey of the Virgin and St. John the Evangelist, Reading: inscribed 'Hic est liber sancte Marie de Rading[ia]. Que[m] qui celav[er]it / vel fraude[m] de eo
numbers in blue and red. Leaf incorrectly bound with the original recto as verso and vice versa. Leaf with John 14:17-18:16 John Bagford (b. 1650/51, d. 1716), bookseller and antiquary: part of the Bagford fragments, sold to Edward Harley after
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short
of the preface to John and John (ff. 59, 59v). Diagrams in brown ink (ff. 3v, 6v). Paraphs in brown with penwork decoration. Small paraphs in red. Rubrics in red. Leviticus, glossed (ff. 7-58), and John, glossed, imperfect, with short