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(f. 160).Included in the list of manuscripts from Lincolnshire houses entitled 'de historiis antiquitatum ac divinitate tractancium', perhaps composed by John Longland, bishop of Lincoln and confessor of Henry VIII, Royal Appendix 69, f. 3 (see Carley 2000).John Leland (b.
of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper
order of the Knights Hospitallers of Saint John of Jerusalem: colophon, 'Ce liure est a frere Nicole de Montmirel, commandeur de sainct Mauluy' (f. 186); the arms of the order of Saint John of Jerusalem (gules, a cross argent), and
order of the Knights Hospitallers of Saint John of Jerusalem: colophon, 'Ce liure est a frere Nicole de Montmirel, commandeur de sainct Mauluy' (f. 186); the arms of the order of Saint John of Jerusalem (gules, a cross argent), and
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford
Cuthbert, Durham: inscriptions that this manuscript was acquired for Durham cathedral through Prior John Fossor (1341-1374), and that it was kept at the altar of Sts. John the Baptist and Margaret in the Chapel of the Nine Altars (f. 1v);
24th year of the reign of Edward III (r. 1327-77) and includes charters dated until at least 1368.Numerous names including John Waleys and William de Wakebrug. For a more detailed list of contents, see ~Catalogue~ 1808. Initials in blue with
an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours and
of an angel showing John a vision of the fall of Babylon, from Revelation 18. Manuscript mentioned in Yates Thompson Appendix 52-54.Glossed French prose.ff. i-iv are paper flyleaves. 1 large historiated initial, accompanied by a full foliate border, in colours
of John, holding a palm, and a crowned elder, from Revelation 7:13; miniature of seven angels with trumpets, and another angel holding a golden cense, from Revelations 8:1-3; miniature of the first angel who sounded the trumpet, and hail and