Now goþ þis marchaunt faste and bysyly Til he cam in to Bruges meryly To Flaundres ward his prentys wel him gydeþ þe morne came and forþ þis marchaunt rydeþ Til þat daun Iohn rydeþ to his abbeye þey dranken
causeþ more dispence And compynable and reuerent was sche A wyf he hadde of excellent beaute That riche was for which men heelde him wys A Marchaunt whilom dwelled at Seint Denys Here bygynneþ þe schipmannes tale f . 204
A certeyn frankes and some wiþ him he ladde To borwe of certein frendes þat he hadde For which þis marchaunt is y wont to gon To paye xx þousand scheldes anon þat needes moste he make a Cheuesaunce For
shipmannes tale A Marchaunt whilom dwelt at seint denys That riche was for which men hild him wis A wyf he had of excellent beaute And compaynable and reuerent was she Which is a thing that causeth more dispence Than
And thus I lete hem ete and drynke and pleye This Marchaunt and this monk a day or tweye The thrid day this Marchaunt vp riseth And on his nedes sadly him auyseth And vp in to his countyng hous
Miniature of John at the beginning of his gospel. Note that Rhosos also wrote the Vatican Homer in 1477 for Cardinal Gonazaga: see Alexander. Alphabetical quire signatures. 3 large miniatures in colours and gold of Mark, Luke, and John (ff.
miniature of John at the beginning of his gospel. Note that Rhosos also wrote the Vatican Homer in 1477 for Cardinal Gonazaga: see Alexander. Alphabetical quire signatures. 3 large miniatures in colours and gold of Mark, Luke, and John (ff.
standing John the Baptist, at the beginning of John. Note that Rhosos also wrote the Vatican Homer in 1477 for Cardinal Gonazaga: see Alexander. Alphabetical quire signatures. 3 large miniatures in colours and gold of Mark, Luke, and John (ff.
Miniature of John at the beginning of his gospel. Note that Rhosos also wrote the Vatican Homer in 1477 for Cardinal Gonazaga: see Alexander. Alphabetical quire signatures. 3 large miniatures in colours and gold of Mark, Luke, and John (ff.
gold and silver, before the beginning of John. The shelfmark 'AII' and the title on the fore-edge in Latin in black ink and '3' on the top edge of the leaves. Matthew and Mark were presumably 'AI'. 4 full-page frames