• Detail of the lower section of the full all'antica border with putti holding the image of Noah, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Detail of a section of the full all'antica border with putti, gems, and biblical figures, at the end of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Detail of a miniature of the Visitiation shown as taking place in Florence, in front of the church of San Giovannino, with the Medici Palace on the right and a view up the Via Gori in the background, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Detail of the lower section of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Detail of the upper section of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Lower part of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Detail of a section of the full all'antica border with putti, gems, and biblical figures, at the beginning of Lauds in the Hours of the Virgin., Book of Hours ('The Hours of Laudomia de' Medici')

according to the handwritten annotations in the BL Manuscript Department's copy of ~Catalogue of the Manuscripts at Ashburnham Place: Appendix~ (London: Hodgson, 1853).Bertram Ashburnham, 5th earl of Ashburnham: his sale, May 1897, bought by Yates Thompson together with the entire

• Marginal drawing of of a dog? and a human half-bust figure, in the Sermones de quadragesima., Sermones de quadragesima (imperfect)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Incipit with red infill, in the Council of Gangra., Dionisio-Hadriana

Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XIII.6.9’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with

• Historiated initial 'A' of a deacon, probably an Olivetian, sprinkling holy water., Cutting from a choir book

artist are: Cambridge, Fitzwilliam Museum, Marlay Cuttings It. 21, 60 and 69; Munich, Staatliche Graphische Sammlung, inv. no. 40155 and London, ex-Holford Collection, no. 30, all of which are stylistically related to Monte Oliveto Maggiore, Biblioteca dell'Abbazia, Corale di Monte

• Wreathed medallion in colours of Bernardino with the holy monogram., Cutting from a manuscript

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'D' of the Coronation of the Virgin., Cutting from a liturgical manuscript

Esq. dispersed / in 1838' (f. i).Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• Historiated initial 'D' of the Calling of Peter and Andrew., Cutting from a choir book

departmental copy of the sale catalogue. Payne and Foss, London booksellers: their sale, 24 June 1850, lot 1087; purchased by Boone on the fourth day of the sale, 27 June.William Boone, London bookseller trading 1815-1870: purchased by him for £18;

• White vine initial 'M'(aiores), at the beginning of the book 7., De architectura

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond. / ex dono HENR. HOWARD / Norfolciensis', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Illuminated canon tables with a foliate pattern, preceding the Gospels., Letter to Carpianus and canon tables

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond. / ex dono HENR. HOWARD / Norfolciensis', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• Drawings of vein men, and man with notes of body parts, at the beginning of a treatise upon blood-letting in German., Medical miscellany

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; the pencil inscription: ‘XIII.7.36’, f. iii verso).Purchased by the British Museum from the Royal Society of London together with 549

• Drawing of a Zodiac man, at the beginning of the Numerus et Ordo signorum., Medical miscellany

in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; the pencil inscription: ‘XIII.7.36’, f. iii verso).Purchased by the British Museum from the Royal Society of London together with 549

• Coloured initial 'B'(ene)., Epistolae, De habitu virginum, De lapsis, and other works

Royal Society in 1667.The Royal Society, London: its bookplate (f.i); its ink stamp 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.' (f. 2).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel

• Puzzle initial 'B'(onifacius), at the beginning of Bonifatius's Liber sextus Decretalium., Quaestationes Disputatae (ends imperfectly)

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in

• White vine initial 'C'(um), and part of the three-sided border, at the beginning of the prologue., De architectura

the Royal Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond. / ex dono HENR. HOWARD / Norfolciensis', f. 1v).Purchased by the British Museum from the Royal Society of London together with 549 other Arundel manuscripts in