• Text page with illuminated initials and line-fillers., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Miniature of the Castle of Love, with the lover addressing three women, with a full border containing the royal arms of Henry VII impaled with those of Elisabeth of York between red and white roses, the Yorkist motto 'Dieu et mon droet', an ostrich feather with a motto 'Ic dene'; and an initial 'D'(u) with a red and white rose., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Detail of a miniature of the Castle of Love, with the lover addressing three women., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Detail of a Tudor rose in the lower left corner of the folio., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Miniature of a prince and his council, and a prince hearing mass, with a full border with two red and white roses, one supported by a white greyhound and a red dragon, with an ostrich feather with a motto 'Ic dene', and a decorated initial 'E'(n)., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Detail of a miniature of a prince hearing Mass., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Miniature of the Crucifixion with the walled city of Paris in the distance, the Royal arms of France, the Oriflame, and a dove of the holy spirit holding an ampoule in the sky, with a full border containing a crowned Beaufort's badge of Portcullis, an ostrich feather with a motto 'Ic dene', and a red rose supported by a white greyhound and a red dragon; and an illuminated initial 'F'(rance)., Poems; Art d'amour; Les demands d'amour; Le liver dot grace entire sure le fait du government d'un prince

i verso) (see Warner and Gilson, 1921).?Shelfmark of a very large number in brown ink (Carley's 'Old Large Number') '53'.The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 84,

• Detail of a miniature of arms supported by a red dragon and a white greyhound., Chroniques de France ou de Saint Denis (from Louis le Gros to the death of Saint Louis, 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Detail of a miniature of the siege of Acre., Chroniques de France ou de Saint Denis (from Louis le Gros to the death of Saint Louis, 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Miniature of the siege of Acre, with a partial border including the royal arms of England, the Beaufort's badge of a portcullis, used by Henry VII, a scroll inscribed with a motto 'Dieu et mon droit', and red and white roses., Chroniques de France ou de Saint Denis (from Louis le Gros to the death of Saint Louis, 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Miniature of Hugues de Puisac with the king in a palace, and outside, plotting, while behind, traitors are hanged, with a partial border including the royal arms of England supported by a red dragon and a white greyhound, and the Beaufort's badges of a portcullis, used by Henry VII., Chroniques de France ou de Saint Denis (from Louis le Gros to the death of Saint Louis, 1270)

and numerous Beaufort's badges of a portcullis, used by Henry VII (e.g. ff. 3v, 4v, 7v, 69, etc).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Text page recording the miracle of a young man who was injured playing football and then healed by Henry VI., Miracles of Henry VI, comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v)

table of contents and a prologue. The prologue states that this is a selection from about 300 miracles recorded (in English) in a book kept at Windsor, to which the reference is given in each case (f. 30).f. 33: Dedicatory

• Text page recording the miracle of a young man who was injured playing football and then healed by Henry VI., Miracles of Henry VI, comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v)

table of contents and a prologue. The prologue states that this is a selection from about 300 miracles recorded (in English) in a book kept at Windsor, to which the reference is given in each case (f. 30).f. 33: Dedicatory

• Text page recording the miracles of Henry VI, including the revival of Thomas Paynston, a young man who was run over by a wagon, and the healing of a boy living in London., Miracles of Henry VI, comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v)

table of contents and a prologue. The prologue states that this is a selection from about 300 miracles recorded (in English) in a book kept at Windsor, to which the reference is given in each case (f. 30).f. 33: Dedicatory

• Text page recording the miracles of Henry VI, including the revival of Thomas Paynston, a young man who was run over by a wagon, and the healing of a boy living in London., Miracles of Henry VI, comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v)

table of contents and a prologue. The prologue states that this is a selection from about 300 miracles recorded (in English) in a book kept at Windsor, to which the reference is given in each case (f. 30).f. 33: Dedicatory

• Historiated initial 'D'(ilexi) with the Vigil of the Dead at the beginning of the Office of the Dead., Book of Hours, Use of Sarum

Jerome's Psalter (ff. 180-204), the fifteen O's of St Bridget introduced by a long rubric in English (ff. 204-221). Some long rubrics in English. Catchwords.Quire signatures. 2 historiated initial in gold and colours with acanthus leaves, with full border with

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’ The most remarkable example of a book

• Illuminated initial 'S'(aepe) with a full border containing the royal arms of England surmounted by a crown, at the beginning of the text., Letter to Henry VII

(f. 1); the royal arms of England surmounted by a crown (f. 1).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Illuminated initial Johannes de Cirellis France, N. France, Central or N.

• Detail from the full border of a bird, the royal arms of England surmounted by a crown, and a grotesque., Letter to Henry VII

oratio' (f. 1); the royal arms of England surmounted by a crown (f. 1).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Border Johannes de Cirellis France, N. France, Central or N.

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle