marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes
marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes
marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes
marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes
Coloured initial 'Q'(uid) at the beginning of Psalm 51. Includes a 'Psalter romanum', with marginal glosses in Latin and interlinear Old English gloss, attributed to Aethelwold (ff. 8-171) (see Gretsch, 1999), 12 canticles (ff. 171v-186v) and a Gloria entitled
Coloured initial 'B'(eatus) with display script, at the beginning of Psalm 1, with the pressmark of Christ Church, Canterbury 'r', and ownership inscriptions of Thomas Cranmer and Lord Lumley. Includes a 'Psalter romanum', with marginal glosses in Latin and
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
(a1-a4, b1-b4 etc.); quire marks (in centre of the lower margin of the verso of the last leaf of the quires). 2 large zoomorphic initials with winged dragons, outlined in red, on green and blue grounds, with foliate motifs (ff.
sets of quire marks (in the centre of the lower margin of the verso of the last leaf of the quires) for ff. 4-108 ('i'-'xiii') and ff. 108-155 ('i'-'vi'); catchwords.Perhaps the exemplar for Harley 528 (see Watson 1966, p. 331
and 77 are former pastedowns. ff. 71v-[73a] are ruled leaves originally unwritten. ff. 1-3v and ff. 74-77 are medieval parchment quires with later additions. Catchwords written horizontally. Leaf signatures. Large puzzle initial in red and blue with pen-flourishing in red
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate
first and last historiated initials: 'Abbe. bono. / Robe. Aug'i (?)' (f. 2) and 'bono robe. abb.' (f. 506v); many quires are marked 'em(en)dat(us)' (e.g. ff. 42, 54, 78, 282).The Benedictine abbey of St Augustine, Canterbury, second half of the
V, and 4 E VI, but not executed in the same workshop.Catchwords and corrector's signatures 'cor' at the end of quires, bifolium signatures. 2 historiated initials in colours and gold, at the beginning of each book (ff. 4, 125v). Foliate