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    British Library Catalogue of Illuminated Manuscripts icon

    British Library Catalogue of Illuminated Manuscripts

    168 results from this resource . Displaying 81 to 100

    in red, usually with blue penwork decoration or pen-flourishing. Highlighting of letters in red. Aviarium (index Bestiary); Bestiary, in the Dicta Chrysostomi form (index Physiologus) Probably Archbishop George Neville ofYork (d.1476), (see James 1928). Inscription in Greek (f. 1*).Sir

    in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial England

    d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the

    d. 1861), 2nd duke of Buckingham and Chandos: sold in 1849 to Lord Ashburnham. Bertram Ashburnham (b. 1797, d. 1878), 4th earl of Ashburnham, of Ashburnham Place, Sussex.Bertram Ashburnham (b. 1840, d. 1913), 5th earl of Ashburnham: purchased by the

    bar-border and the arms of William FitzAlan, earl of Arundel impaling those of his wife, Joan, daughter ofRichard Neville, earl of Salisbury. Includes five works by Thomas Hoccleve (b. c.1367, d. 1426): The Regenment of Princes (ff. 4-101v), addressed

    in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Vices Peraldus England

    Drawing of a cross with the symbols of the Passion. The volume is a composite theological miscellany of manuscripts of different origin, and also includes:Richard Lavenham (index Lavyngham), 'A Litil Tretys on the Seven Deadly Sins', 1st half of the

    for date of Boncompagni's election to the papacy]' in Chicago, Art Institute of Chicago, 1982.438 and New York, The Morgan Library and Museum, MS. 270, all probably excised from a Gospel Lectionary (A.I.17) described in a 1714 inventory of the

    Pen drawing of the Crucifixion Pen drawing of the Crucifixion (f. 31). Marginal pen drawing of the Five Wounds of Christ (?) (f. 31v). Added prayer and indulgences, fragment (f. 31v), preceded by a Crucifixion drawing (f. 31) Richard Jones

    Five Wounds of Christ. Pen drawing of the Crucifixion (f. 31). Marginal pen drawing of the Five Wounds of Christ (?) (f. 31v). Added prayer and indulgences, fragment (f. 31v), preceded by a Crucifixion drawing (f. 31) Richard Jones (d.

    146v-147). Statutes of Edward III and Richard II, including a table of contents (ff. 1-11v) Two heraldic arms in the lower margin (ff. 146v and 147).The Harley Collection, formed by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford

    Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

    Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

    Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

    Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

    Longer English genealogical chronicle of the kings of England) The text of the chronicle ends with Richard III (f. 33). The pictorial genealogy continues to Henry VIII in the same scribal and artistic hand, including Catherine of Aragon, Mary, and

    '; included in the inventory of books in the Upper Library at Westminster of 1542 (f. 33), in the catalogue of 1666, Royal Appendix 71, (f. 20v) and in the 1698 catalogue of the library of St James’s Palace (see

    patristic excerpts Added parts of a version of a revision of the Sarum Ordinal of 1278-1279 (ff. 1-2, 83-84v).Added notes in English 14th-century hand (f. 2v).Thomas Wolsey (b. 1470/71, d. 1530), royal minister, archbishop ofYork, and cardinal: 'TC' monogram,

    Full-page miniature of the menorah with caption in Ashkenazi square script. Gilt edges. Hebrew characters are used instead of catchwords. Ruling is visible. After f. 217 blank, unfoliated leaf.On the dating of part 2, see Narkiss, 'The Art of the

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    "Results" Manuscripts Online (www.manuscriptsonline.org, version 1.0, 11 July 2024), https://www.manuscriptsonline.org/search/results?ac=f&ct=lm%2Cnm&ft=t&kw=richard%20of%20york&sdf=1449&sdt=1449&sr=ci&st=80