• Initial-word panel decorated with foliate scroll., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• ~Carmina figurata~ decorated with floral motifs, at the end of the Psalms., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Miniature of a man kneeling in prayer on a hill. Behind him two young youths are looking for shelter in a house from the heavy hail., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Coloured initial 'A' with foliate decoration., 2 leaves with omelies translated from Origen, cropped

Coloured initial 'A' with foliate decoration. The volume is a collection of fragments from manuscripts of different date and origin. It was originally part of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by

• Text page with a space left for a miniature, at the beginning of the rubric, 'Charite parle des angeles'., Le chemin de Vaillance, and other texts (see Notes below for contents)

record of books in the Great Wardrobe Accounts of 1480 (see McKendrick 1994). The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 26; and in the Catalogue of 1666,

• Text page, with a space left for an initial, at the beginning of Le breviaire des nobles of Alain Chartier., Le chemin de Vaillance, and other texts (see Notes below for contents)

record of books in the Great Wardrobe Accounts of 1480 (see McKendrick 1994). The Old Royal Library (the English Royal Library): included in the list of books at Richmond Palace of 1535, no. 26; and in the Catalogue of 1666,

• Detail of a page: full foliate border in the margins inhabited by a lion, a peacock, a bird, and a dragon., Lisbon Mishneh Torah, volume 1

for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the second volume of the work: Harley

• Detail of a page: initial-word panel with gold letters and penwork decoration and a gold crown, at the introduction of the Mishneh Torah., Lisbon Mishneh Torah, volume 1

for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the second volume of the work: Harley

• Detail of an inscription inserted into the banderol above and beneath the initial word., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a miniature of a man kneeling in prayer on a hill. Behind him two young youths are looking for shelter in a house from the heavy hail., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a miniature of the Israelites crossing the Red Sea., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of an initial-word panel., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a page: miniature of the ~Shabbat kallah~ (Shabbat bride or Shabbat Queen), a symbolic representation of the Shabbat, at the order of the services for Shabbat. A young lady on horseback is coming out of a castle escorted by her entourage., Festival prayer book (~mahzor~) with miscellaneous works in the margins

Detail of a page: miniature of the ~Shabbat kallah~ (Shabbat bride or Shabbat Queen), a symbolic representation of the Shabbat, at the order of the services for Shabbat. A young lady on horseback is coming out of a castle escorted

• Detail of a miniature of a congregation praying in the synagogue., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a miniature of the Shabbat bride is under the ~huppah~ (wedding canopy) surrounded by her entourage., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a miniature of people celebrating Seder with a group of young men lifting the Seder basket over the table., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a foliate border inhabited by animals and birds., Lisbon Mishneh Torah, volume 1

for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the second volume of the work: Harley

• Foliate initial 'D'(omine) with a full border, at the beginning of Matins., Book of Hours, Use of Sarum

72v, 87v). Book of Hours, Use of Sarum Richard Shearman: his name inscribed in the rebus image of the letters 'ry', a car, a letter 'd', a pair of shears and a man, (f. 80v).Inscription in English of a note

• Miniature of the Fortress of Faith defended by a king, a cardinal, bishops, and other men and women, with the fathers of the church, Gregory, Augustine, Jerome, and Ambrose at its walls and men and women representing vices, with a full border containing a space for a coat of arms, and an illuminated initial 'A'(pres), at the beginning of book 2., Fortalitium fidei (La forteresse de la foy)

in the list of books at Richmond Palace of 1535, no. 22; and in the Catalogue of 1666 (f. 13).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Fortress of Faith Jean

• Carpet page with verses from the Psalms in micrographic design., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

between the two columns of text (ff. 151v, 152, 152v). Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end) Ibrahim ibn Yusuf ibn Said ibn Ibrahim al-Isrili, the patron (Hebrew version of his name in