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Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich
Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich
of angels supporting the coat of arms of George Neville, archbishop ofYork (f. 4v), and gold initial with tendrils in a white vine style extending into the margin and including a bird and a head, at the beginning
re militari (the Book of Vegecye of Dedes of Knyghthode) Richard III (b. 1452, d. 1485), king of England from 1483 and lord of Ireland: the royal arms of England supported by boars, with the griffin of Salisbury, suggesting that
re militari (the Book of Vegecye of Dedes of Knyghthode) Richard III (b. 1452, d. 1485), king of England from 1483 and lord of Ireland: the royal arms of England supported by boars, with the griffin of Salisbury, suggesting that
Detail of a miniature of the griffin of Salisbury in the lower margin of the folio, at the beginning of book 1. Includes one of 11 extent copies of the first English translation of 'De re militari' of Flavius Vegetius
Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Baptism of Christ Master of Spencer 6 Jean le Meung Bourges France,
trompe l'oeil border, at the beginning of Compline in the Hours of the Virgin. Contemporary sketch of the Virgin (blank leaf after f. 97).No calendar; Hours of the Virgin (f. 3) and Office of the Dead (f. 98) begin imperfect.
and landowner, of Naworth Castle, Cumberland, the younger son of Thomas Howard (b. 1538, d. 1572), 4th duke of Norfolk, in 1630: according to a note in English (f. 3v).Thomas Astle (b. 1735, d. 1803), archivist and collector of books
red. Outlines of initials in blue and/or red (ff. 59v, 69). 5 decorated catchwords (ff. 73v, 81v, 89v, 97v, 105v). Cartulary of the Augustianian priory of Bradenstoke, Wiltshire, with table of contents (ff. 2-25) The Augustianian priory of Bradenstoke, Wiltshire,
Baron Farnborough (b. 1761, d. 1838), a cousin of Francis Henry Egerton, 8th Earl of Bridgewater (b. 1756, d. 1829), founder of the collection (note on 2nd flyleaf). The Trinity Master of Spencer 6 Jean le Meung Bourges France, Central
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.
lot 82; New York, Private Collection, formerly Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), no.