• Decorated initials from a 13th-century leaf., Leaf from a Missal(?) with part of the mass for one martyr

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:

• Initials with pen-flourished decoration., A collection of ecclesiastical constitutions and statutes mainly issued by the Archbishops of Canterbury from 1201 to 1413

Initials with pen-flourished decoration. Initials in blue with pen-flourished decoration in red. 'Champ' initial in colours and gold with spray and flower decoration (f. 21). Initials and paraphs in blue or red. Rubrics in red. Initials highlighted in red. A

• Initials with pen-flourished decoration., Lanterne of Light, a Lollard text, imperfect

2324, edited by Swinburn in 1917 (see Fletcher and Hudson 2008). Large initials in blue with pen-flourished decoration in red. Rubrics in red. Paraphs in blue. Lanterne of Light, a Lollard text, imperfect With occasional contemporary marginal notes.Thomas Gawdy (b.

• Pen-flourished initial 'P'(rincipio)., De officiis, with a brief treatise on moral philosophy (ff. 1-4)

interlinear annotations.f. 40 has been trimmed at the top and right margins. Initials in blue with red penwork decoration or pen-flourishing and in red with blue penwork decoration or pen-flourishing. Rubrics in red. Some initials excised. De officiis, with a

• Illuminated initial 'R'(everendo) and an effaced coat of arms., Tractatus de venenis, Problemata de venenis

foliate decoration (ff. 1, 13v). Effaced coat of arms (f. 1). Smaller plain initials in red or blue. Paraphs in red or blue. Rubrics in red. Tractatus de venenis, Problemata de venenis Written by Antonius Recanetus: colophon, 'Finitus est tractatus

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum, and the inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

inscription of the Cistercian monastery of Eberbach in the lower margin. Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Sermones de tempore per annum The Cistercian abbey of St Mary, Eberbach (today Erbach

• Historiated initial of Chaucer holding an open book, at the beginning of the prologue to the Canterbury Tales., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'A'(t) at the beginning of the Reeve's tale, identified by a rubric in the upper margin 'The Reve'., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'W'(hilom) at the beginning of the Miller's tale, identified by a rubric in the upper margin 'The Meller'., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated initial 'T'(her) and decorated catchword., Canterbury Tales

colours and gold of the author (f. 2). Large initials in gold and blue and pink. Small initials in gold with purple penwork decoration, and in blue with red penwork decoration. Large initials in brown with brown and yellow or

• Illuminated historiated initial, with Moses (identified by his horns) facing a group of Israelites, making a gesture of speaking (or perhaps counting?) at the beginning of Deuteronomy. The blue ground-line on which they all stand is in fact a serpent., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'H' at the beginning of Exodus, with Moses (identified by his horns) parting the Red Sea (depicted a vertical blue and red wavy lines), in the upper margin is a pencil instruction indicating the opening words which had been deliberately omitted by the scribe, to be executed in gold by the artist., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Miniature of the Annunciation, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of matins in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of the Pentecost, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of a group of saints, including a bearded pope, two bishops, a king with a book, Peter and Benedict, at the beginning of the reading for All Saints, in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Virgin of Humility with the patron kneeling in front of her, at the beginning of the Hours of the Virgin for Saturday., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of God the Father, at the beginning of the Penitential Psalms., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Pentecost, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Entry into Jerusalem, at the beginning of the Passion of Christ., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Crucifixion, at the beginning of the Hours of the Cross., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a