beginning of the prologue to John. Catchwords and quire and bifolium signatures. 2 historiated initials in colours, at the beginning of the two Gospels (ff. 2, 121v), and 2 foliate initials with dragons in colours, at the beginning of prologues
Calligraphic initial 'T'(he) at the beginning of the Testament of John Lydgate. Part 1 includes two works by John Lydgate, the Troy Book, a translation from Historia destructionis Troiae of Guido delle Colonne, originally presented by Lydgate to Henry V
beginning of the preface to John Gaddesden's Rosa Anglica. 15th-century? foliation in brown ink.f. 95 is an inserted, smaller folio. 1 large puzzle initial in blue and red with pen-flourishing forming a full border (f. 9). Large initials in blue
designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John (ff. 45v, 78v). Canon tables in frames in brown and yellow, some with animal heads (ff. 3v-7). 4 very
designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John (ff. 45v, 78v). Canon tables in frames in brown and yellow, some with animal heads (ff. 3v-7). 4 very
designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John (ff. 45v, 78v). Canon tables in frames in brown and yellow, some with animal heads (ff. 3v-7). 4 very
designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John (ff. 45v, 78v). Canon tables in frames in brown and yellow, some with animal heads (ff. 3v-7). 4 very
designed 'E': see Marsden 1999 p. 290 and n. 25. 2 full page miniatures of Evangelist portraits of Mark and John (ff. 45v, 78v). Canon tables in frames in brown and yellow, some with animal heads (ff. 3v-7). 4 very
both John and Genevieve (3rd January, f. 1), and the litany includes Fara, Honorine (f. 175; translated to Conflans Ste. Honorine, near Pontoise, in 1250), and a special listing of widows (f. 175).Added prayer to the Virgin and John for
both John and Genevieve (3rd January, f. 1), and the litany includes Fara, Honorine (f. 175; translated to Conflans Ste. Honorine, near Pontoise, in 1250), and a special listing of widows (f. 175).Added prayer to the Virgin and John for
both John and Genevieve (3rd January, f. 1), and the litany includes Fara, Honorine (f. 175; translated to Conflans Ste. Honorine, near Pontoise, in 1250), and a special listing of widows (f. 175).Added prayer to the Virgin and John for
both John and Genevieve (3rd January, f. 1), and the litany includes Fara, Honorine (f. 175; translated to Conflans Ste. Honorine, near Pontoise, in 1250), and a special listing of widows (f. 175).Added prayer to the Virgin and John for
(and sub-prior, c. 1432) of the Augustinian priory of St Paul, Newnham, Bedfordshire: purchased from Robert Ware, executor of Master John Bryan, studying at Cambridge in 1415, as recorded in the note of ownership and anathema on f. 1v, 'Hinc
(and sub-prior, c. 1432) of the Augustinian priory of St Paul, Newnham, Bedfordshire: purchased from Robert Ware, executor of Master John Bryan, studying at Cambridge in 1415, as recorded in the note of ownership and anathema on f. 1v, 'Hinc
inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)
inscribed, 16th/17th century: 'Philemon Holland / John Barone(?), and 'RB'.f. 125: inscribed, 16th century: 'Thomas baulle'(?) and John Dean'.f. 137: inscribed, 16th century: 'James Collard'.f. 149: inscribed, 16th century: 'Statutes April 1581' and 'John Wallsall'.f. 175: inscribed, 17th century: 'Edmund(?)
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the
red stave lines visible to sides of cuttings. 21 foliate initials in colours and gold. Cuttings from a choir book John Matthew Gutch (b. 1776, d. 1861), journalist and author: his sale, 16 March 1858, lot 1831: purchased by the