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the Gospels (ff. 2, 63). Chrysography. Initials in red or brown. Apparatus in brown and red. Gospels of Luke and John, with prologue, table of chapters, and lections for the year (ff. 104v-111v) ff. 112r-v contains added readings for August
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
with a similar pattern in red) and illuminated initial 'E'(n) at the beginning of the Gospel of John, with a marginal inscription in Ottoman Turkish. Marginal notes in Ottoman Turkish (ff. 1, 49, 149). Headpiece with vine scroll decoration in
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
in Latin with initials in red (ff. 204-212v). John Clerk, grocer and apothecary to Edward IV, warden of the London Company of Grocers in 1467 and 1475: inscribed 'Iste liber constat John Clerk grocero apocethario regis Edwarde quarti post conquestum'
scene of John the Baptist preaching holding a disk before a seated group of people. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important
scene of John the Baptist before a seated Herod with a sword. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to
scene of John being pushed into a prison tower by a man holding a club. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important
scene of John kneeling in a tower doorway, with an executioner holding him by the hair and a raised sword, and behind him Salome holding a golden bowl. The style and subject, especially the many bas-de-page narratives ranging from romance
presenting the head of John in a golden bowl to her seated mother. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought
in their arms, and the skeleton of John in a tomb. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have
of Peter and John visiting the sepulchre and removing the sudarium. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have
Christ beckoning Peter and John while they are out fishing. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been
Sheldonian, '1697', but 1698), II, no. 6543.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 115.Charles
Sheldonian, '1697', but 1698), II, no. 6543.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 115.Charles
the standing figure of John holding a scroll. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been illuminated in
the the Nativity of John the Baptist. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two important manuscripts thought to have been illuminated in London:
scene of John the Evangelist gesturing towards St Edward on the facing verso. The caption reads, 'Ey sein iohan le ewangelist uient a seint edward p[our] demaund[er] acun bien pur lam[our] de deu'. The style and subject, especially the many
scene of John standing naked in a cauldon of boiling whilst two men encourage the fire from either side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords and