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(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
(Oxford: Sheldonian, '1697', but 1698?), II, no.6439;Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no. 3.Charles
Diagrams showing men and animals going around the earth and meeting on the other side. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the
Ink diagram of a game entitled 'la fourme de la table rounde'. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v);
Ink diagram of day and night. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the 'roundness' of the
Text page with large and small initials and rubric. Old foliation in Part 1 on verso and in Part 2 on verso to xxiiii. Circular ink diagrams in brown and red of: the elements (f. 52v); diagrams showing the
the Harley manuscripts form one of the foundation collections of the British Library. Decorated and coloured initials Geoffrey of Monmouth (index Galfridus Monumetensis), Bernard of Clairvaux (index St Bernard, Bernardus Clarevallensis), Innocent III, John of Metz (index Johannes Metensis) England
or brown (ff. 1-14). Line-filler with geometric decoration in red and black (f. 218v). Psalter, imperfect, including Odes (ff. 219v-232v) John Covel (b. 1638, d. 1722), chaplain to the Levant Company at Constantinople, 1670-1676, and later Master of Christ's College,
Calendar page for January, with marginal scenes, including the water carrier, Aquarius. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts
Double-page with a historiated initial 'A'(d) with a monkey standing on a dog, and full borders, in the Book of Hours. The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution
Miniature of the Flight into Egypt, with an historiated initial 'D'(eus) of a mourner, and a bas-de-page scene of the Entombment of Christ, at the beginning of Vespers in the Hours of the Virgin. The manuscript was severely damaged
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in
The manuscript was severely damaged by flood in 1846; access to it is therefore highly restricted, but high-resolution digital images can be made available in the Manuscripts Reading Room at the British Library for study purposes. 24 scenes in