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Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs
Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a
of John on Patmos, at the beginning of his Gospel. 1 full-page miniature (f. 16v) and 5 full-page miniatures surrounding three or four lines of text (ff. 185v, 216v, 233v, 254v, 260v). Miniatures added to a Book of Hours Unidentified
names of the months and emblems for the occupations of the months, surrounded by figures of John the Baptist with Agnus Dei, top left, John the Evangelist with cup and dragon, top right, Cosmas with urine file, lower left, and
of John on Patmos with his eagle flying away with the pencase and the inkwell, decorated initial 'I'(n) and foliate borders, at the beginning of the Gospel Lessons. 13 full-page miniatures mostly with large decorated initials and full foliate borders,
Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing. The most remarkable example of a book of devotion that may show signs of having received that devotion in
Print with the Virgin nursing the Child. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490.
Pages painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
of John the Evangelist and decorated initial 'O' with foliate borders including a bird. Fragment of a 14th-century text leaf of a Bible, Apc. 5., used as a flyleaf. 2 large full-page miniatures, followed by large or small decorated initials
of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes, and an unidentified coat of arms (f. 2). 2 large panel initials in gold
of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes, and an unidentified coat of arms (f. 2). 2 large panel initials in gold
of men in profile (including Pope Nicholas V who commissioned this translation, and a copy of Pisanello's medallion of Emperor John VIII Palaeologus), mythological all'antica scenes, and an unidentified coat of arms (f. 2). 2 large panel initials in gold
Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
Page painted red with streaming blood. The most remarkable example of a book of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It
of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initials John Chrysostom (index Johannes Chrysostomus); Isidore of Seville; Bede the Venerable; Anselm of Canterbury England or France
de terra sancta. Leaf signatures.Catchwords.The Liber de terra sancta ends with a capitula list (ff. 69-73) while John Mandeville's begins with it (f. 74r-v). 'Incipit itinerarius magistri Johannis de Mandevelt... ' (f. 74).Watermark visible on f. [144]. Large initials in
Mary Magdalen, the Virgin Mary, and John the Evangelist. Heavily trimmed.Lacking a bifolium after f. 112.A space was left blank for the last miniature (probably the Resurrection), but it was never painted (f. 122). 12 miniatures in colours and gold
within the wheel, with captions, markings and numeration crescent on the pointer, surrounded by figures of John the Baptist with Agnus Dei, top left, John the Evangelist with cup and dragon, top right, Cosmas with urine file, lower left, and
a full foliate border with John Morton's arms, at the beginning of Johannes de Giglis's Libellus de Canonizatione sanctorum. For other manuscripts owned by Morton see Arundel 435 and 454. 2 large initials in gold on blue and red grounds,