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Wales's feathers, dated 1623, and initials NF; anchor and sheep, the arms of London and of the Merchant Taylors' Company, dated 1619, and initials BW; a sun, dated 1625, and initials HW; a clock, dated 1628, and initials LV; below
Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.7.17’, f. [iii verso]).Purchased by the British Museum from the Royal Society of London together with
their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial John Multon John Multon John Lydgate London England, S. E. (London)
contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Added marginal annotation John Multon John Multon John Lydgate London England, S. E. (London)
Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.7.17’, f. [iii verso]).Purchased by the British Museum from the Royal Society of London together with
Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XV.7.17’, f. [iii verso]).Purchased by the British Museum from the Royal Society of London together with
boy being thrown by cattle from London Bridge, and floating in the water with a boatman rowing towards him, from John Lydgate's Lives of Saints Edmund and Fremund. Added table of contents (ff. 109-110). Note that the manuscript includes both
Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 5v; its book-plate with the pencil inscription: ‘XIII.9.31’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with
Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 5v; its book-plate with the pencil inscription: ‘XIII.9.31’, inside upper cover).Purchased by the British Museum from the Royal Society of London together with
being thrown by cattle from London Bridge, and floating in the water with a boatman rowing towards him, with a marginal inscription, from John Lydgate's Lives of Saints Edmund and Fremund. Added table of contents (ff. 109-110). Note that the
Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: The Royal Historical Society, 1964), p. 43.Sir Anthony St Leger (b. 1496?, d. 1559), lord deputy of Ireland: 'This
Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: The Royal Historical Society, 1964), p. 43.Sir Anthony St Leger (b. 1496?, d. 1559), lord deputy of Ireland: 'This
Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: The Royal Historical Society, 1964), p. 43.Sir Anthony St Leger (b. 1496?, d. 1559), lord deputy of Ireland: 'This
Britain: A List of Surviving Books~, ed. by N. R. Ker, 2nd edn, Royal Historical Society Guides and Handbooks, 3 (London: The Royal Historical Society, 1964), p. 43.Sir Anthony St Leger (b. 1496?, d. 1559), lord deputy of Ireland: 'This
by her soon after World War II through her brother, Tomás Harris, managing director of the Spanish Art Gallery in London. Accepted by HM Treasury in lieu of inheritance tax from the estates of Miss Violeta Harris and her sister,
68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the British Museum~, 3 vols (London: British Museum, 1906-1965), III, pp. 361-62). Large initials and display script in yellow, green, and red, with interlace, foliate,
68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the British Museum~, 3 vols (London: British Museum, 1906-1965), III, pp. 361-62). Large initials and display script in yellow, green, and red, with interlace, foliate,
68) and a double flageolet (f. 101) (see Augustus Hughes-Hughes, ~Catalogue of Manuscript Music in the British Museum~, 3 vols (London: British Museum, 1906-1965), III, pp. 361-62). Large initials and display script in yellow, green, and red, with interlace, foliate,
Inscription, 18th century: 'Theyers Constanten'(?) (1st flyleaf).Bought by the British Museum from Thomas Rodd the younger (b. 1796, d. 1849), London bookseller, 9th December 1848 (note on 2nd flyleaf), using the Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long,
Inscription, 18th century: 'Theyers Constanten'(?) (1st flyleaf).Bought by the British Museum from Thomas Rodd the younger (b. 1796, d. 1849), London bookseller, 9th December 1848 (note on 2nd flyleaf), using the Farnborough Fund (£3,000 bequeathed in 1838 by Charles Long,