• Text page recording the miracles of Henry VI, including the revival of Thomas Paynston, a young man who was run over by a wagon, and the healing of a boy living in London., Miracles of Henry VI, comissioned by John Morgan, dean of Windsor from 1485 to 1496 and bishop of St. David's from 1496 to 1504, with a dedication to Morgan (f. 1) and a hymn and prayer to Henry VI (f. 1v)

table of contents and a prologue. The prologue states that this is a selection from about 300 miracles recorded (in English) in a book kept at Windsor, to which the reference is given in each case (f. 30).f. 33: Dedicatory

• Miniature of various locations set out in a landscape: 'La Chastel en Chaire', 'Le jardin du baume,' 'La cite de Babiloine,' and 'Les Moulins de Babiloine'., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

ccc xxxii. / et fu translate en francois p[ar] iehan de vi/gnay. Lan mil ccc. xxxiii/ (f. 165v).The Old Royal Library (the English Royal Library): perhaps to be identified with 'Le bon roy Alexandre' included in the list of books

• Miniature of Nectanebus receiving a letter; miniature of Nectanebus on a roof, in flight, having shaved his head., Historia de proeliis, translated in French as La vraie ystoire dou bon roi Alixandre, and other romances

ccc xxxii. / et fu translate en francois p[ar] iehan de vi/gnay. Lan mil ccc. xxxiii/ (f. 165v).The Old Royal Library (the English Royal Library): perhaps to be identified with 'Le bon roy Alexandre' included in the list of books

• Miniature of Childebert and Clothaire before Saragossa meeting a bishop of Saragossa, with the bishop and clergy bringing out relics of Vincent, with a full border containing the royal arms of England surmounted by a crowned lion, a dragon holding a banner with the Yorkist motto 'Dieu et mon droit', and two red roses of Lancaster; and an illuminated initial 'L'(e roy) with a portcullis, the badge of Beauforts, used by Henry VII., Chroniques de France ou de Saint Denis (from Priam of Troy to 768)

roses of York (f. 48), and the Beaufort's badge of a portcullis, used by Henry VII (f. 47).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books

• Historiated initial 'In' with intwined figures., fragments from the end of Joshua and the beginning of Judges; and the end of Judges to the beginning of Ruth

ff. 76-77.f. 130, Leaf from an early 13th century English Breviary. Musical notation: neumes on red four-line staves (C, D, F and B clefs).f. 131, leaf from a late 13th century English Troper (Sanctus and Agnus tropes). Musical notation: square

• Historiated initial 'D'(ilexi) with the Vigil of the Dead at the beginning of the Office of the Dead., Book of Hours, Use of Sarum

Jerome's Psalter (ff. 180-204), the fifteen O's of St Bridget introduced by a long rubric in English (ff. 204-221). Some long rubrics in English. Catchwords.Quire signatures. 2 historiated initial in gold and colours with acanthus leaves, with full border with

• Coloured print with Christ as Man of Sorrows being adored by a Carthsian, pasted to a page painted in red covered with streaming blood. A Carthusian kneels before a bloody Christ, who stands beside his cross. They converse by means of scrolls with texts in latin. The Carthusian petitions Christ: ‘O Lord I beseech, send me salvation’ (Domine obsecro dirige ad me salutem). He replies: ‘Son, shun (temptation, understood), subdue (it), say nothing, keep quiet (Fili fuge, vince, tace, quiesce). The formulation is found in Abelard’s Epistle VII on the foundation of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’, Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of a women’s convent, and the context is how to avoid the temptation to sin. Below is a caption in English: ‘The greatest comfort in al temptacyon Is the remembraunce of Crystes passyon.’ The most remarkable example of a book

• Illuminated initial 'S'(aepe) with a full border containing the royal arms of England surmounted by a crown, at the beginning of the text., Letter to Henry VII

(f. 1); the royal arms of England surmounted by a crown (f. 1).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Illuminated initial Johannes de Cirellis France, N. France, Central or N.

• Detail from the full border of a bird, the royal arms of England surmounted by a crown, and a grotesque., Letter to Henry VII

oratio' (f. 1); the royal arms of England surmounted by a crown (f. 1).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Border Johannes de Cirellis France, N. France, Central or N.

• Coloured print with Christ as the Man of Sorrows surrounded by symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Coloured print with the symbols of the Passion pasted to a page painted in red covered with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Pages painted black with red drops of blood, representing the wounds of Christ, worn, perhaps as the result of kissing., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

of devotion that may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle

• Print with the Virgin nursing the Child., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Pages painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Miniature of Christ the Redeemer, at the beginning of an added prayer in English., Added miniature for an inscribed prayer in English

the beginning of an added prayer in English. Traces of pilgrim badges (f. 27v). 1 full-page miniature including heraldic arms, in colours and gold (f. 3v). Added miniature for an inscribed prayer in English A member of the Gower family,

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Page painted red with streaming blood., Psalter and Rosary of the Virgin (from f. 27), in two versions, and other devotional texts, including a litany

may show signs of having received that devotion in a direct physical form is Egerton 1821, an English product of around 1490. It begins with three pages, each painted black, on which large drops of blood trickle down. The third

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl

• Page of music on the verso of the folio., Leaf from a Gradual

Edward :4: the book was made beyond the seas…' (verso).John Brickeston(?), 16th century: inscription (verso).Thomas Hall(?), 16th century: inscription in English (verso). ? Thomas Howard (b. 1585, d. 1646), 2nd earl of Arundel, 4th earl of Surrey, and 1st earl