followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
followed by the Interpretations of Hebrew names (ff. 526-572v) (formerly known as 'The Fécamp Bible') The final verso of some quires marked 'cor(rectus)' (e.g., ff. 313v, 409v).Unidentified 13th-century owner associated with the Benedictine abbey of St Taurinus, Evreux, Normandy: following
visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the beginnings of the books (ff. 1,
torso and a rabbit. Ruling is visible. Flesh side and hair side are distinguishable. Quires start with flesh side. On the dating, see Pasternak, 2009. 5 decorated initial-word panels in colours and gold accompanied by partial foliate borders at the
scribe of Oxford, Bodleian Library, Hatton 38, the Gospel book copied itself from Royal 1 A XIV.Quire signatures (first two quires only) and catchwords. 2 initials in green with penwork decoration in red, or in red with penwork decoration in
scribe of Oxford, Bodleian Library, Hatton 38, the Gospel book copied itself from Royal 1 A XIV.Quire signatures (first two quires only) and catchwords. 2 initials in green with penwork decoration in red, or in red with penwork decoration in
first is Harley 3052, and the second is Harley 3053. Running headers. Quire marks for quires 1-15. Quire signature for quire 16. Guide script for rubricator in lower margins (e.g., f. 43v). 12 large and smaller initials, outlined in black,
marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of