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penthateuchus' (f. 235v).Marginal addition on f. 1v possibly represents instructions to the artist.Early modern inscription on f. 235v numbers the quires of the manuscript, giving an inaccurate folio count. The same hand has made a similar addition to Harley 3168.
alternately blue or red, with flourishing in the other colour. One-line initials alternately blue or red (only in red in quires xii-xv; ff. 115-158). Bible with prologues Reginald, priest of Bury St Edmunds, 14th century.The Franciscan convent of Babwell, Bury
alternately blue or red, with flourishing in the other colour. One-line initials alternately blue or red (only in red in quires xii-xv; ff. 115-158). Bible with prologues Reginald, priest of Bury St Edmunds, 14th century.The Franciscan convent of Babwell, Bury
alternately blue or red, with flourishing in the other colour. One-line initials alternately blue or red (only in red in quires xii-xv; ff. 115-158). Bible with prologues Reginald, priest of Bury St Edmunds, 14th century.The Franciscan convent of Babwell, Bury
scribe of Oxford, Bodleian Library, Hatton 38, the Gospel book copied itself from Royal 1 A XIV.Quire signatures (first two quires only) and catchwords. 2 initials in green with penwork decoration in red, or in red with penwork decoration in
scribe of Oxford, Bodleian Library, Hatton 38, the Gospel book copied itself from Royal 1 A XIV.Quire signatures (first two quires only) and catchwords. 2 initials in green with penwork decoration in red, or in red with penwork decoration in
first is Harley 3052, and the second is Harley 3053. Running headers. Quire marks for quires 1-15. Quire signature for quire 16. Guide script for rubricator in lower margins (e.g., f. 43v). 12 large and smaller initials, outlined in black,
marginal coloured drawings of animals, often inside or juxtaposed with medallions or interlace patterns, at the end or beginning of quires (ff. 8v, 16v, 24v, 32v, 40v, 48v, 56v, 64v, 72v, 80v, 88v, 96v, 104v, 112v, 120v, 128v, 136v). Holes
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
B I in script and decoration.Quire signatures in the form of letters, at the beginning and at the end of quires 14 initials in red or blue outline drawing, some on blue or red grounds, at the beginning of the
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
a part of the Carmina Burana collection (ff. 95-194), both parts probably written by the same hand but in separate quires and divided by blank pages (ff. 93v-94); f. 94v includes a list of contents added by the hand of
third of three volumes; the first is Harley 3052, and the second is Harley 3053. Running headers. Quire marks for quires 1-15. Quire signature for quire 16. Guide script for rubricator in lower margins (e.g., f. 43v). 12 large and
secunda pars epistolarum aurelii augustini yponiensis episcopi'. Quire marks. Catchwords (added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork
secunda pars epistolarum aurelii augustini yponiensis episcopi'. Quire marks. Catchwords (added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork
secunda pars epistolarum aurelii augustini yponiensis episcopi'. Quire marks. Catchwords (added by later medieval hand). Text block on ff. 64-79 (quires 9-10) measures 270 x 175. Large initials in red, blue or green, frequently with reserved lines and with penwork