• null, Ab urbe condita; each Decade preceded by the tables attributed to Donato degli Albanzani (ff. 1-3v, 103-105v, 195-196v) (index History of Rome from its foundation)

cardinal (added to ff. 4, 106, 197).? Iacopo Piccolomini (b. 1422, d. 1479), member of the household of Pope Pius II (d. 1464), and bishop of Lucca from 1470: with an eight-line inscription including ‘Dum vixi Iacobus Piccolomini domus papa

• Miniature in three parts, including scenes of battle, with an illuminated initial in Livy's Ab urbe condita., Ab urbe condita; each Decade preceded by the tables attributed to Donato degli Albanzani (ff. 1-3v, 103-105v, 195-196v) (index History of Rome from its foundation)

cardinal (added to ff. 4, 106, 197).? Iacopo Piccolomini (b. 1422, d. 1479), member of the household of Pope Pius II (d. 1464), and bishop of Lucca from 1470: with an eight-line inscription including ‘Dum vixi Iacobus Piccolomini domus papa

• Detail of miniature in three parts, including scenes of battle, with an illuminated initial in Livy's Ab urbe condita., Ab urbe condita; each Decade preceded by the tables attributed to Donato degli Albanzani (ff. 1-3v, 103-105v, 195-196v) (index History of Rome from its foundation)

cardinal (added to ff. 4, 106, 197).? Iacopo Piccolomini (b. 1422, d. 1479), member of the household of Pope Pius II (d. 1464), and bishop of Lucca from 1470: with an eight-line inscription including ‘Dum vixi Iacobus Piccolomini domus papa

• Historiated initial 'D' or 'O' of Christ Disputing with the Merchants. The robe of the figure to the right is inscribed 'A. P. S. VITV. SI?S'., Cutting from an Antiphoner (index antiphonary, antiphonal)

New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 52a); New York, The

• Text page with cadels decorating the colophon of Richard Rolle of Hampole's 'Emendatio vitae'., Sermons and devotional texts and verse, including 'Emendatio vitae' (ff. 4-20), 'De duodecim patriarchis' (ff. 64-105), 'Formula moderni et usitati dictaminis' (ff. 133-145)

Text page with cadels decorating the colophon ofRichard Rolle of Hampole's 'Emendatio vitae'. A date after 1432 for the copy of the manuscript is suggested by the date of delivery of some of the sermons (ff. 40, 54, 132v);

• Historiated initial 'R' with Richard II, combined with a full foliate bar border, at the beginning of his statutes., Nova Statuta (index Statuta Angliae, Statute book, Statutes of England), for the reign of Edward III (r. 1327-1377)(ff. 11-140v), Richard II (r. 1377-1399)(ff. 141-218), Henry IV (r. 1399-1413)(ff. 219-265v), Henry V (r. 1413-1422) (ff. 265v-289v), to 15 Henry VI (r. 1422-1461, 1470-1471)(ff. 289v-338v)

in 1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Richard II England

• Decorated initial 'O'(mnipotens) with pen-flourishing, and 15th-century ownership inscription added in the margin stating that the manuscript once belonged to the chapel of St Giles near Brompton-on-Swale, but now belongs to the chantry of St Giles in the chapel of St John the Evangelist at Ravensworth castle., Liturgical texts including Offices, masses, etc., with a York calendar (index Breviary)

1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial and ownership

• Historiated initial 'H' with Henry IV, combined with a full foliate bar border, at the beginning of his statutes., Nova Statuta (index Statuta Angliae, Statute book, Statutes of England), for the reign of Edward III (r. 1327-1377)(ff. 11-140v), Richard II (r. 1377-1399)(ff. 141-218), Henry IV (r. 1399-1413)(ff. 219-265v), Henry V (r. 1413-1422) (ff. 265v-289v), to 15 Henry VI (r. 1422-1461, 1470-1471)(ff. 289v-338v)

of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest

• Text page., Nova Statuta (index Statuta Angliae, Statute book, Statutes of England), for the reign of Edward III (r. 1327-1377)(ff. 11-140v), Richard II (r. 1377-1399)(ff. 141-218), Henry IV (r. 1399-1413)(ff. 219-265v), Henry V (r. 1413-1422) (ff. 265v-289v), to 15 Henry VI (r. 1422-1461, 1470-1471)(ff. 289v-338v)

of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest

• Historiated initial 'A' with Henry VI, combined with a full foliate bar border, at the beginning of his statutes., Nova Statuta (index Statuta Angliae, Statute book, Statutes of England), for the reign of Edward III (r. 1327-1377)(ff. 11-140v), Richard II (r. 1377-1399)(ff. 141-218), Henry IV (r. 1399-1413)(ff. 219-265v), Henry V (r. 1413-1422) (ff. 265v-289v), to 15 Henry VI (r. 1422-1461, 1470-1471)(ff. 289v-338v)

of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest

• Historiated initial with king Edward III (r. 1327-1377) combined with a full foliate bar border at the beginning of his statutes., Nova Statuta (index Statuta Angliae, Statute book, Statutes of England), for the reign of Edward III (r. 1327-1377)(ff. 11-140v), Richard II (r. 1377-1399)(ff. 141-218), Henry IV (r. 1399-1413)(ff. 219-265v), Henry V (r. 1413-1422) (ff. 265v-289v), to 15 Henry VI (r. 1422-1461, 1470-1471)(ff. 289v-338v)

of the last leaf of the quire).All historiated initials were painted by the same artist except that of Henry IV (f. 219). It seems to have been written and decorated in one campaign, probably around 1436, as the rest