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of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Opening England England, N.
of Compline of the Passion. Musical notation, on four-line red staves (ff. 89-136). Including a calendar (ff. 4-9v), the Hours of the Passion (ff. 10-29), the Penitential Psalms followed by a litany and various prayers (ff. 29v-44v), the Office
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Decorated initial and full
of the Royal arms (f. 73).Henry VII (b. 1457, d. 1509), king of England and lord of Ireland adapted for him: the royal arms of England (ff. 1, 73) and the arms of his wife, Elisabeth ofYork, daughter
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Calligraphic initial John Scottowe
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Calligraphic initial John Scottowe
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Calligraphic initial John Scottowe
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Calligraphic initial John Scottowe
1753 to the nation for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library. Calligraphic initial John Scottowe
four parts, including scenes of Lucretia, and the Kings of Rome?, and an illuminated initial at the beginning of the first decade of Livy's Ab urbe condita, and a border added between 1471-1474 containing the arms of Cardinal Pietro Riario.