• Historiated initial 'D' or 'O' of Christ Disputing with the Merchants. The robe of the figure to the right is inscribed 'A. P. S. VITV. SI?S'., Cutting from an Antiphoner (index antiphonary, antiphonal)

New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no. 52a); New York, The

• Detail of illuminated initial 'A'(d dominum cum tribularer), with foliate motifs, at Psalm 119., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

the time the manuscript was made); perhaps made for Oswald, founder of Ramsey abbey, bishop of Worcester, and archbishop of York from 972 to 992: mentioned in Ramsey's 14th-century catalouge as a 'Psalter of St Oswald' (see Gameson 1996).Thomas Powell:

• Detail of an illuminated initial 'D'(ixit dominus domino meo), with foliate and knotwork motifs, at Psalm 109., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

the time the manuscript was made); perhaps made for Oswald, founder of Ramsey abbey, bishop of Worcester, and archbishop of York from 972 to 992: mentioned in Ramsey's 14th-century catalouge as a 'Psalter of St Oswald' (see Gameson 1996).Thomas Powell:

• Text page with plain initials in gold 'C'(anticum Psalmorum)., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

the time the manuscript was made); perhaps made for Oswald, founder of Ramsey abbey, bishop of Worcester, and archbishop of York from 972 to 992: mentioned in Ramsey's 14th-century catalouge as a 'Psalter of St Oswald' (see Gameson 1996).Thomas Powell:

• Detail of tinted drawing with the Virgin Mary standing at the base of the cross., Psalter (the 'Ramsey Psalter' or 'Psalter of Oswald'), in the Gallican version, with a litany (ff. 209-211) followed by prayers (ff. 211-214)

the time the manuscript was made); perhaps made for Oswald, founder of Ramsey abbey, bishop of Worcester, and archbishop of York from 972 to 992: mentioned in Ramsey's 14th-century catalouge as a 'Psalter of St Oswald' (see Gameson 1996).Thomas Powell:

• Manuscripts of the West Midlands

the Later Middle Ages: Philological Studies in Honour of Siegfried Wenzel , Medieval & Renaissance Texts and Studies, Binghampton: New York, pp. 179-90, pp. 181-182. Douce, F. 1840. Catalogue of the Printed Books and Manuscripts Bequeathed by Francis Douce, Esq.,

• Manuscripts of the West Midlands

T. ed, 1859-61. Political Poems and Songs relating to English history, composed during the period from the accession of Edw. III to that of Ric. III , Rolls Series 14, 2 vols, New York: Kraus Reprint 1964, i, p. 363.

• Manuscripts of the West Midlands

in Pearsall, D., ed, New Directions in Later Medieval Manuscript Studies. Essays from the 1998 Harvard Conference , York: The University of York Centre for Medieval Studies, pp. 103-129. McIntosh, A., Samuels, M. L. and Benskin, M. 1986. A Linguistic

• Manuscripts of the West Midlands

in Pearsall, D., ed, New Directions in Later Medieval Manuscript Studies. Essays from the 1998 Harvard Conference , York: The University of York Centre for Medieval Studies, pp. 103-129. K0lbing, E., and Day, M., ed, 1932. The Siege of Jerusalem,

• Manuscripts of the West Midlands

pp. i-ii and ii, n. 2. Warton, Thomas. 1871, rpt. 1970. History of English Poetry from the Twelfth to the Close of the Sixteenth Century , London: Reeves and Turner, rpt. New York: Haskell House Publishers, p. 240, n. 1.