and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘28 die mensis Augusti, A.D. 1724' (f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Coloured initials: 'M'(entibus), 'G'(loria), 'P(ater). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion
Coloured initials:'B'(eatus), 'D'(eus), 'I'(ustum). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion Kauffmann
Coloured initials: 'O'(mnipotens), 'I'(n), 'O'(mnipotens), 'I'(n), 'D'(eus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert:
Coloured initials: 'D'(eus), 'I'(ustus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion Kauffmann
Coloured initials: 'P'(r[aest]a), 'M'(isit), 'D'(eus). Musical notation: Anglo-Saxon neumes (with ~litterae significativae~), England (Exeter), c. 1050-1072The scribe of ff. 194-98 also wrote most of Harley 863.The collects are based on Liege texts, and give prominence to Lambert: see discussion