attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
5th earl of Ashburnham: his manuscript Barrois MS. 214; the Ashburnham-Barrois sale, 10 June 1901, lot 332 (inscribed '332' in blue pencil, in the lower left corner of the upper pastedown), bought by the British Museum, using the Bridgewater fund
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
attestation of the the cult of Pope Leo IX and saint Bardo, bishop of Mainz (see Bishop 1918). Initials in blue, red, green, and brown. Decorated line-fillers in brown. Unfinished, with spaces left for initials, for Psalm 1 filled in
at the end of the manuscript. Evidence of medieval pastedowns under the modern paper pastedowns. Large initials in green or blue with red penwork decoration, or in red with green penwork decoration. Large and small initials in red, green, or
at the end of the manuscript. Evidence of medieval pastedowns under the modern paper pastedowns. Large initials in green or blue with red penwork decoration, or in red with green penwork decoration. Large and small initials in red, green, or
Anglo-Norman neumes, England, early 12th century (ff. 141-143) 1 large initial in blue, with penwork decoration (f. 52). Numerous large and smaller initials in green or red, some with a reserved design or penwork decoration, occasionally including foliate motifs, one
S. Gregorii Papae. Musical notation: Anglo-Norman neumes, England, early 12th century (ff. 141-143) 1 large initial in blue, with penwork decoration (f. 52). Numerous large and smaller initials in green or red, some with a reserved design or penwork decoration,
Anglo-Norman neumes, England, early 12th century (ff. 141-143) 1 large initial in blue, with penwork decoration (f. 52). Numerous large and smaller initials in green or red, some with a reserved design or penwork decoration, occasionally including foliate motifs, one