• Detail of miniature of Bel-Acoeil taking the chaplet and mirror., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

171). 1 miniature (extending across 2 columns) of the Battle of Annezin (f. 176v). Initials in blue with red pen-flourishing and in gold with blue pen-flourishing. Rubrics in red. Cadels. Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a

• Detail of miniature of Bel-Acoeil talking to the old woman., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

171). 1 miniature (extending across 2 columns) of the Battle of Annezin (f. 176v). Initials in blue with red pen-flourishing and in gold with blue pen-flourishing. Rubrics in red. Cadels. Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a

• Detail of miniature of the dreamer talking to Bel-Acoeil., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

171). 1 miniature (extending across 2 columns) of the Battle of Annezin (f. 176v). Initials in blue with red pen-flourishing and in gold with blue pen-flourishing. Rubrics in red. Cadels. Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a

• Detail of miniature of Dangier, Paour, and Honte with the dreamer., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

171). 1 miniature (extending across 2 columns) of the Battle of Annezin (f. 176v). Initials in blue with red pen-flourishing and in gold with blue pen-flourishing. Rubrics in red. Cadels. Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a

• Detail of miniature of Pygmalion kneeling before the statue., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

171). 1 miniature (extending across 2 columns) of the Battle of Annezin (f. 176v). Initials in blue with red pen-flourishing and in gold with blue pen-flourishing. Rubrics in red. Cadels. Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a

• Detail of miniature of Pygmalion praying before the temple., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

171). 1 miniature (extending across 2 columns) of the Battle of Annezin (f. 176v). Initials in blue with red pen-flourishing and in gold with blue pen-flourishing. Rubrics in red. Cadels. Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a

• Detail of miniature of the statue speaking to Pygmalion., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

171). 1 miniature (extending across 2 columns) of the Battle of Annezin (f. 176v). Initials in blue with red pen-flourishing and in gold with blue pen-flourishing. Rubrics in red. Cadels. Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a

• Detail of miniature of Pygmalion kissing the statue., Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a burlesque chanson in 50 alexandrines), beginning 'A l'entrée de may / quivers va a declin' (ff. 176v-177)

171). 1 miniature (extending across 2 columns) of the Battle of Annezin (f. 176v). Initials in blue with red pen-flourishing and in gold with blue pen-flourishing. Rubrics in red. Cadels. Roman de la Rose (ff. 2-175v), la Bataille d'Annezin (a

• Miniature with a dead landscape, at the beginning of Philippus Albericus's De mortis effectibus, on the facing page a brief prose letter addressed to Joachim Bretoner., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with Cebes and an Old Man pointing to the Tabula Cebetis, facing a decorated initial with a full border, at the beginning of Philippus Albericus's Tabula Cebetis. A foreigner, Cebes, enters the temple of Saturn. He sees a painted tablet, now worn by withering age, the meaning of which he was not at all able to make out. An Old Man, who was a native of the place, saw that he and his companions were uncertain about the picture. When asked by Cebes, he uncovered the meanings veiled in the figures and, taking up a pointer, he explained the whole thing in order (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniature with allegories failed by Fortune, facing a decorated initial 'A'(lter), at the beginning of the second circle of Philippus Albericus's Tabula Cebetis. Those whom Fortune has enriched beforehand lead a congenial life. Vainglory, Gluttony, and Pleasure embrace them. But when Fortune's gifts fail them, these people are immediately driven away; in order to recover their previous way of life, some take to murder, others to theft, and many to swearing falsely by the gods, for little reward. But some are shut up in a dark building, and these Sorrow, Lament, and Punishment afflict with sufferings. Whence they are lead to a glittering hall; when they have been purged of their crimes there, they are able to return to a better life. Penance batters the door with her rod and continually excites their hearts to honest deeds (see Carlson 1993)., Tabula Cebetis, De mortis effectibus and other poems

red ground (f. 21). 1 small initial in gold on a blue ground (f. 24). Capital letters at the beginning of a line written alternately in red or blue. Tabula Cebetis, De mortis effectibus and other poems Dedicated to Henry

• Miniatures of the Crucifixion and the Trinity; heraldic arms., Pontifical, Use of Sens

foliate initials with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Pontifical, Use of Sens ? Guillaume de Melun, archbishop of Sens from 1346 to 1378: arms, one of

• Historiated initial; heraldic arms., Pontifical, Use of Sens

foliate initials with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Pontifical, Use of Sens ? Guillaume de Melun, archbishop of Sens from 1346 to 1378: arms, one of

• Puzzle initial 'C' with pen-flourishing extending into the margin., Geoffrey's 'Historia regum Britanniae' (index Gesta Britonum, De gestis Britonum), dedicated to Robert of Gloucester (ff. 2-49), Guido's 'Historia destructionis Troiae' (index Historia troiana; History of the Trojan war; De casu Troiae; De bello troiano) (ff. 54-126), preceded by a table of contents (ff. 50-53)

occurred with consequent loss of text. Puzzle initials and plain initials with pen-flourishing extending into the border in red and blue. Initials and rubrics in red. Small initials highlighted in red. Geoffrey's 'Historia regum Britanniae' (index Gesta Britonum, De gestis

• Historiated initial., Pontifical, Use of Sens

foliate initials with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Pontifical, Use of Sens ? Guillaume de Melun, archbishop of Sens from 1346 to 1378: arms, one of

• Historiated initial of monks singing and a priest kneeling before an altar., Pontifical, Use of Sens

foliate initials with partial foliate borders, in colours and gold. Small initials and line fillers in gold on red and blue grounds. Pontifical, Use of Sens ? Guillaume de Melun, archbishop of Sens from 1346 to 1378: arms, one of

• Embroidered chemise binding of crimson velvet with seed pearls and silver thread with Prince Henry's badge and motto., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Upper cover of the binding, of gold-tooled red leather., Collenuccio's Apologues (Agenoria, Misopenes, Alithia, and Bombarda) and Lucian's Dialogues (De raptu Europae, Galene et Panope, and De Paradis iudicio)

framing the prologue (f. 3v). Miniature in colours of a putto holding aloft a panel with silver capitals on a blue ground (f. 65). 7 large historiated initials in colours and gold with partial borders (ff. 1v, 31, 59, 66,

• Partial border with decorated initials 'Y' and 'T'., New Testament: Romans to Jude

a paper one.Quire signatures in Latin letters. Partial gold foliate borders with 56 initials in gold on blue and red grounds (ff. 4 (x 2), 7, 41v, 74, 95v, 105v, 118, 119, 126 (x 2), 127, 134, 135 (x 2),

• Text page., Gospels of Luke and John in the Vulgate and Erasmian (~Novum Instrumentum~) versions

the beginning of prologues (ff. 1v, 170). Initials in gold on red grounds, at the beginning of chapters. Red or blue initials throughout the text, running titles in red. The name of 'Iesus' in the Vulgate text in gold and