• Illuminated historiated initial 'P' at the beginning of Acts, of Luke writing and of Theophilus, to whom the Acts are addressed in the opening lines, with two smaller decorated illuminated initials., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of I Peter, of Peter writing, and his arrest; the buildings at the top probably represent the cities to which Peter's epistle was addressed., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' of Paul in prison, giving a scroll to a messenger, at the beginning of Philippians., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Decorated initials., Register book of the Fraternity of Corpus Christi, York

foliate extensions into the margins, in colours and gold (f. 15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis Fraternitatis corporis Christi fundate in Ebor

• Decorated initial 'y'(e) at the beginning of the Prick of Conscience, and, on the left, the ownership inscription of Sir Henry Spelman, historian and antiquary and of 'Jhon boyce'., Prick of Conscience

Lewis and MacIntosh 1982 p. 69. 1 three-sided border of red pen-flourishing with foliate forms (f. 2). Large initials in blue with red penwork decoration and pen-flourishing. Highlighting of letters in red. Prick of Conscience 16th-century inscriptions 'Jhon boyce' (f.

• Decorated initial 'H'(ec), at the beginning of the Liber ordinacionis fraternitatis Corporis Christi Eboracensis., Register book of the Fraternity of Corpus Christi, York

described. 1 large decorated initial, with foliate extensions into the margins, in colours and gold (f. 15). Smaller initials in blue with red foliate pen-flourishing including human heads. Register book of the Fraternity of Corpus Christi, York Heading 'Liber ordinacionis

• Decorated initials 'O' and coloured initials., Order of preparation for a pontifical mass, imperfect

Large simple initials in red or blue. Highlighting of letters in red. Order of preparation for a pontifical mass, imperfect f. 74v has an added 15th-century prayer.No. 360 in a 19th-century unidentified English bookseller's catalogue, identifying it as written in

• Historiated initial 'O'(mne) of a bird and geometric diagrams., Elements (index Liber geometriae, Elementa geometriae)

7 initials in colours with foliate motifs (ff. 23v, 28, 40, 59v, 87, 98, 123v). Blue initials with red penwork decoration and red initials with blue penwork decoration. Rubrics in red. Elements (index Liber geometriae, Elementa geometriae) The Harley Collection,

• Miniature of tents of the twelve tribes of Israel, with a full border and a foliate initial 'L'(iber), at the beginning of Matthew., Bible historiale complétée (Proverbs - Revelation)

at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The

• Detail of a miniature of Augustine and his vision of the Holy Trinity., Book of Hours, Use of Angers

(ff. 18, 24). Large initials (2-3 lines) in gold on red and blue grounds with partial foliate borders. Small initials and line fillers in gold on red and blue grounds. Book of Hours, Use of Angers Unidentified original owner: erased

• Detail of a miniature of Gomer in bed, with a nurse holding Jezreel, and Hosea is kissing Gomer., Bible historiale complétée (Proverbs - Revelation)

at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The

• Detail of a miniature of the landing of William the Conqueror., Chronicle

partial borders, at the beginning of each book. Initials and paraphs in gold on blue and rose grounds with penwork decoration in white. Line-fillers in blue, rose, and gold with penwork decoration in white. Chronicle Jean of Valois, (b. 1340,

• Miniature of John in Patmos, with the seven-horned dragon rising from the sea, and a foliate initial 'L'(ors)., Bible historiale complétée (Proverbs - Revelation)

at the beginning of each book. Initials in gold on blue and rose grounds with penwork decoration in white, at the beginning of Paul's letters. Initials in red or blue throughout the text. Bible historiale complétée (Proverbs - Revelation) The

• Decorated initial 'D'(ilexi), at the beginning of the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the

• Flourished initial 'M'(isere), in the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the

• Heraldic arms, at the beginning of the Office and Mass of the Dead., Office and Mass of the Dead (vol. 1)

13). Large and smaller initials in blue, with reserved designs, with red foliate pen-flourishing and green wash. Smaller initials in brown ink with foliate pen-flourishing in brown ink. Small initials in plain red or blue. Office and Mass of the

• Detail of a decorated initial 'B'(eatus) at the beginning of Ecclesiasticus 14:22, in a 13th-century leaf., Leaf from a Missal(?) with part of the mass for one martyr

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:

• Decorated initials from a 13th-century leaf., Leaf from a Missal(?) with part of the mass for one martyr

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:

• Initials with pen-flourished decoration., A collection of ecclesiastical constitutions and statutes mainly issued by the Archbishops of Canterbury from 1201 to 1413

Initials with pen-flourished decoration. Initials in blue with pen-flourished decoration in red. 'Champ' initial in colours and gold with spray and flower decoration (f. 21). Initials and paraphs in blue or red. Rubrics in red. Initials highlighted in red. A

• Historiated initial 'P'(ost) of a man holding a book, with acanthus leaves extending into the margins., De Consolatione Philosophiae (index The consolation of Philosophy)

with books, and one with a sceptre (ff. 1, 9v, 22v, 40v, 56v). Initials in red with blue or purple pen-flourishing, or in blue with red pen-flourishing. De Consolatione Philosophiae (index The consolation of Philosophy) Inscribed 'Questo lib[r]o è [end