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historiated initial 'I'(n) with John and the eagle, in the Bible. A list of the decorated iniitals, in the handwriting of Ruskin, is kept as Yates Thompson 53, ff. 4-8. 81 large and smaller historiated initials, developing partial borders, in
prologues, Vol. I: Genesis-Nehemiah Unidentified contemporary readers: with numerous marginal annotations, often in red ink, especially in vol. II.? Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: perhaps his sale 6 April 1807, lot 1102,
prologues, Vol. I: Genesis-Nehemiah Unidentified contemporary readers: with numerous marginal annotations, often in red ink, especially in vol. II.? Sir John Saunders Sebright, (b. 1767, d. 1846), 7th baronet, politician and agriculturist: perhaps his sale 6 April 1807, lot 1102,
of a bearded John seated before a lectern; his name inscribed above him. 4 miniatures (evangelist portraits: ff, 6v, 90v, 142v, 226v), before each Gospel. Four foliate headpieces (ff. 7, 91, 143, 227), titles in gold, and large initials in
'I'(n) with John and the eagle, in the Bible. A list of the decorated iniitals, in the handwriting of Ruskin, is kept as Yates Thompson 53, ff. 4-8. 81 large and smaller historiated initials, developing partial borders, in colours and
of the Evangelist John, holding a book and a martyr's palm, standing on the back of his symbol, the eagle. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse
initial 'E'(seint) of the Evangelist John, holding a book and a martyr's palm, standing on the back of his symbol, the eagle. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and
Christ dictating to John. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff. 104-214v).According to Sandler, stylistically related to the
of Christ dictating to John. Includes La lumiere as lais of Peter of Peckham (or Peter of Fetcham) in Anglo-French (ff. 1-103v), and the Apocalypse with a commentary in the Anglo-French prose version (ff. 104-214v).According to Sandler, stylistically related to
an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);
an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);
an abridgement of Geoffrey of Monmouth: inscribed with his name 'Ponticus Virunius' (f. 1).Added marginal annotations in a 16th-century hand. John Theyer (bap. 1598, d. 1673), antiquary: his monogram (f. 133) and notes in his hand (e.g., ff. 1, 132v-133);
a miniature of John and representatives of churches. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or
a miniature of John, and the Son of Man between seven candlesticks. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the
a miniature of John writing, with an angel before him. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary
a miniature of John and the angel pointing to the walls of New Jerusalem. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution
a miniature of John being raised by an angel, with the head of God above. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The
a miniature of John kneeling before Christ. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary Master or to
a miniature of John, the lamb on the mount, and worshippers. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen
a miniature of John, a flying angel, and kneeling figures. According to Sandler 1986, illuminated by three artists: The Queen Mary Master (ff. 1-16v), Hand II (ff. 17-24v, 30, 34-45v), Hand III (25-29v, 31v-32v). The attribution to the Queen Mary