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hand (f. 1r-1v).Thomas Jones: inscribed with his name, 16th century (f. 200v).Anderton?: inscribed with his name, 16th-17th century? (f. 204v). John Tratt: inscribed with his name, 16th-17th century? (f. 205v).Giles Brendt, 1633: inscribed with his name with added prayer (f.
hand (f. 1r-1v).Thomas Jones: inscribed with his name, 16th century (f. 200v).Anderton?: inscribed with his name, 16th-17th century? (f. 204v). John Tratt: inscribed with his name, 16th-17th century? (f. 205v).Giles Brendt, 1633: inscribed with his name with added prayer (f.
hand (f. 1r-1v).Thomas Jones: inscribed with his name, 16th century (f. 200v).Anderton?: inscribed with his name, 16th-17th century? (f. 204v). John Tratt: inscribed with his name, 16th-17th century? (f. 205v).Giles Brendt, 1633: inscribed with his name with added prayer (f.
addressing Zacharias, father of John the Baptist, who kneels in front of an altar. Horizontal catchwords.Miniature curtains, likely of silk, once protected the full-page minitures. These are no longer extant, but the holes and thread, by means of which these
politician, owner of a library at Welbeck Abbey: his bookplate (f. iv). Henrietta Holles (b. 1694, d. 1755), daughter of John, married in 1713 Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron
on coloured grounds. Fragment of a Psalter John Batteley (b. 1647, d. 1708), Church of England clergyman and antiquary: sold to Edward Harley with the rest of his collection through his nephew John Batteley on 5 November 1723.The Harley Collection,
with the Virgin and St John, within the text on the mass of the Holy Cross. The miniature of the Crucifixion (f. 2) is inserted in the text of a mass of the Holy Cross (ff. 1v-2v).An original table of
Sheldonian, '1697', but 1698), II, no. 6543.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 115.Charles
Sheldonian, '1697', but 1698), II, no. 6543.Robert Scott (b. c. 1632, d. 1709/10), London bookseller: included in the catalogue of John Theyer’s manuscripts in his possession, made in 1678 by William Beveridge and William Jane, Royal Appendix, 70, no 115.Charles
Manuscriptorum Bibliothecae Wigorniensis, Made in 1622-1623~, ed. by Ivor Atkins and N. Ker (Cambridge: Cambridge University Press, 1944), no. 309. John Theyer (bap. 1598, d. 1673), antiquary: inscribed with his name 'Ioannes Theyer', with a dated note of 1649 (f.
with in two compartments John the Baptist pointing his disciples to Christ, and the crucifixion of Andrew, full border and bas-de-page scene with Christ calling Andrew and Peter from their fishing-boat. Musical notation.For a large number of images of the
'S'(tabat) with two compartments, of John the Baptist pointing his disciples towards Christ, and Andrew being tied upon his cross. Musical notation.For a large number of images of the other part of the manuscript, Verdun, Bibliothèque municipale, ms. 107, see
Psalter (Arundel 83 II), with the Virgin Mary, John the Evangelist, and eight other Apostles witnessing the figure of Christ disappearing behind a layer of clouds. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v,
the dove of the Holy Spirit descending upon the Virgin Mary, Peter, and John the Evangelist, as well as the other Apostles. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v, 126, 126v, 127v, 128,
of Wisdom, from John of Metz, from the De Lisle Psalter (Arundel 83 II), an allegorical representation and personification of Christian virtues. Musical notation (the Howard Psalter-Hours). 10 diagrams, in colours and gold (ff. 123v, 125v, 126, 126v, 127v, 128,
scene of John standing naked in a cauldon of boiling whilst two men encourage the fire from either side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords and
bas-de-page scene of John standing naked in a cauldon of boiling whilst two men encourage the fire from either side. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and litany (ff. 302v-318).Catchwords
scene of John the Baptist leaning out of a building and being beheaded by a man with a raised sword, with Salome alongside. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302) and
bas-de-page scene of John the Baptist leaning out of a building and being beheaded by a man with a raised sword, with Salome alongside. Includes 150 Psalms (ff. 85-280) with a calendar of Sarum use (ff. 71v-83), canticles (ff. 280v-302)
on the left, John on the right; (bottom left) Pilate and the High Priest giving orders to the soldier, (bottom right) the Entombment, Joseph supporting Christ's head, Nicodemus holding a pot of spices, the Virgin, weeping, and John behind, with