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wreath enclosing a blank area intended for a coat of arms (f. 1). Historia Alexandri Magni Added maniculum (f. 31). John Gibson (fl. 1720-1726), dealer; sold on 17 June 1721 to the Harley collection (see ~Diary~ 1966).The Harley Collection, formed
woman (f. 76v). At least 1 full-page miniature missing (after f. 60). 3 smaller miniatures in colours and gold, of John, the Crucifixion, and the Annunciation (ff. 13, 15, 22v), with large initials in gold on red panels, and full
Headpiece and decorated initial at the beginning of the text. Watermark of an angel, see C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition
Colophon of Johannes Jacobus de Balbis and ownership inscription of Cornelius Balbus. Vertical catchwords.f. 70 is a blank, ruled paper leaf with a 16th- or 17th- century(?) inscription. 1 large blue initial with red pen-flourishing (f. 1). 13 smaller
White vine initial 'H'(erbarum) with a butterfly. ff. 1 and 2 are parchment flyleaves.ff. 1 and [46] are former pastedowns.Marginal notes list ailments for which the various herbs are recommended. 1 large white vine initial in gold, purple, blue
Initial 'N'(aso) and unidentified arms in the lower margin. A large piece of paper has been torn off at the top of f. 1. 1 large initial in gold on a blue ground with an unidentified coat of arms
Decorated initial 'C'(armina) with acanthus leaves and naturalistic flowers at the beginning of the text. According to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford, this manuscript was made in Florence in the late
gold initials on coloured grounds (ff. 4, 4v, 14v, 21v, 33v, 44v, 56, 63v, 76, 88v, 101). Ethica (index Ethics) John Gibson (fl. 1720-1726), dealer; sold to Edward Harley on 22 June 1726 (see ~Diary~ 1966; Wright 1972).The Harley Collection,
Initial 'H' with pen-work decoration. Watermark of a basilisk with no direct comparison in C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition with
Historiated initial 'Q'(uantum) with foliate extensions and a man in academic dress (probably Aristotle). f. 1* is a paper flyleaf with a table of contents.Vertical catchwords. 1 large initial in colours with foliate extensions and a man in academic
Initial 'A'(dam) with foliate and spray decoration. The manuscript contains the second version of the Latin Brut, which covers a period from Albina to the murder of James I of Scotland in 1437, with a brief account of the
the Gospel of John, chapter 5, verses 2-7. This is source Z in the studies of the Latin New Testament (Wordsworth and White; Bonifatius Fischer). Corrections in a contemporary hand in slanting uncial employ a Greek style of syllabification recalling
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
colours and gold (ff. 25, 51v, 74v, 96, 118, 144, 169v, 193, 210v). Display script. De Secundo Bello Punico Inscription: 'John Peachey London 1772' (2nd fllyleaf [f. iv]).James Peachey (b. c. 1722, d. 1808), Bart of Westdean: his book-plate (inside
White vine initial 'Q'(uintus) and partial border at the beginning of Cicero's De amicitia. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3
White vine initial 'A'(nimadverti) at the beginning of Cicero's Paradoxa. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in
Illuminated white vine initial 'O' at the beginning of Cicero's De senectute. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine
Detail of illuminated initial. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,
Detail of lower border. Offsets in the lower margins of ff. 42 and 43 were caused by the blue initials at the top of ff. 32 and 36. 3 white vine initials, in colours and gold (ff. 2, 31,