roses of York (f. 48), and the Beaufort's badge of a portcullis, used by Henry VII (f. 47).The Old Royal Library (the English Royal Library): perhaps to be identified with the 'Croniques de France' included in the list of books
ff. 76-77.f. 130, Leaf from an early 13th century English Breviary. Musical notation: neumes on red four-line staves (C, D, F and B clefs).f. 131, leaf from a late 13th century English Troper (Sanctus and Agnus tropes). Musical notation: square
(f. 1); the royal arms of England surmounted by a crown (f. 1).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Illuminated initial Johannes de Cirellis France, N. France, Central or N.
oratio' (f. 1); the royal arms of England surmounted by a crown (f. 1).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Border Johannes de Cirellis France, N. France, Central or N.
branches, in gold and purple. All text pages framed in gold. Rubrics in gold. Prayer Book Apparently designed for an English owner: inscribed by Henry VIII and Cardinal Wolsey: see Backhouse 1994.Inscriptions in French, 16th-century: 'en priant a saintte George…',
owned by him: white roses of York joined with red roses of Lancaster (ff. 1, 2v).Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Presentation of the book Edward of York England
viribus herbarum. Note that this is the oldest copy of the Old High German glosses on this text. 1puzzle initial in red and blue with red and blue pen-flourishing (f. 2). Other simple initials in red. Paraph marks in red.
Gilson 1921).In the catalogue of 1666, Royal Appendix 71, f. 42, no, 3.Presented to the British Museum by George II in 1757 as part of the Old Royal Library. Calligraphic specimens Petruccio Ubaldini Petruccio Ubaldini London England, S. E. (London)
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
1989 they were lifted from the album, remounted and stored in a box. Citations in publications often refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 1-7 [box 1]. To
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other
refer to their old folio number. To see these cutting in the Manuscripts Reading Room order Add. 21412, ff. 90-110 [box 6]. To see the Samuel Rogers Album, which originally contained all the cuttings order Add. 21412, Old Covers. Other