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the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
the remaining part. Partial floral border in colours and gold with 1 small initial in gold on a pink and blue ground, 1 large initial in coloured interlace on a gold ground and, in the lower margin, a coat of
beginning of each book (ff. 15, 24, 40, 49, 60v, 76, 92v, 107v, 115). Numerous initials in alternating red and blue. Rubrics in red. Opera Written in Ferrara in 1461: inscribed: 'Quinti Horatii Flacci, Venusini, Odarum, Sermonum, Epistolarum, Poetrieque carminum
Gesta regum Anglorum. 1 large red initial with green, red, blue, and brown foliate decoration (f. 1). 6 large initials in red (often oxidised) or green, mostly simple, but some with decoration in the other colour or also with yellow
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning
Man, in an arrow-shaped space (f. 12). 1 circular diagram entitled 'Tabula Paschalis' and eclipses of sun and moon, in blue and gold or in black and white, in red roundels (ff. 12v-14). Initials in colours and, at the beginning
309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the
(ff. 1, 28, 43v, 59v, 76v, 92, 106, 123, 138v). Alternating initials in red or blue. Rubrics in red. Marginal notes in red. Letters and other texts Written by Pietro Cennini in Florence in 1467: colophon reads, 'Scripsit florentie hoc
crayon of a face (f. 1*v) and an ?initial (f. 1v).Erased inscription (f. 2, upper margin). Numerous large initials in blue. Text initials with some penwork decoration (ff. 2-109). Descenders and ascenders of letters alongside the writing frame often with
309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the
309v, 317v, 326, 336, 346). 5 gold initials on coloured grounds (ff. 1 (x 3), 1v, 2). Alternating initials in blue or red. Rubrics and running headers in red. Historia naturalis (index Natural history) Written for a member of the
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
183, 184, 185, 187, 188, 189, 190, 190v, 191v). Large and small initials and line-fillers in gold on red and blue grounds. 2 large decorated initials, in colours and gold, for prayers in French (ff. 195, 197). Hours, Use of
the Opus qui Candelabrum nominatur; in the lower margin heraldic arms added. 1 large initial in blue with reserved designs and penwork decoration in brown, including an added sketch of a king (f. 1). 7 spaces for large illuminated initials