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tugs on his hood, and a standing man holds a pig by his hind legs, in illustration of Paradiso XXIX. Pope-Hennessy 1993 proposed a date after 1444, partly depending on the representations of the dome and cupola of Florence Cathedral,
the Vienna and Copenhagen Toison d’Or (ff. 14v, 281v, 284).Catchwords and bifolium signatures. Foliation in red beginning on f. 10.Written instructions to the illuminator. 5 half-page miniatures in colours and gold, with full borders, and initials in colours and gold
andsheep past a crippled and a king. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with the decoration left unfinished.Catchwords and bifolium signatures; numerous corrections.Part II: the Calendarium illuminated
and the Trinity (f. 108v). Small marginal calendar miniatures in colours and gold with the labours of the months and Zodiac signs integrated in a full border of acanthus leaves, flowers, birds and fruits on a gold, blue, red
colours and gold with foliate motifs and a partial border with rinceaux decoration in the outer margin (f. 1). Another large initial in colours and gold and foliate motifs (f. 119). Initials in red and blue with red and black
red and blue ground with a three-sided foliate border (f. 15). Small initials (2 lines) in gold on red and blue grounds with foliate extensions into the margins. Small initials (1 line) and line fillers in gold on red and
by Robert Harley (b. 1661, d. 1724), 1st earl of Oxford and Mortimer, politician, and Edward Harley (b. 1689, d. 1741), 2nd earl of Oxford and Mortimer, book collector and patron of the arts, inscribed as usual by their librarian,
a sheep in its mouth and a crippled hybrid creature (f. 47v), a man climbing a vine and a hybrid creature wrestling a bear (f. 88v). Numerous initials in gold and colours, some with with tendrils of gold leaves and
queen of England and Ireland (1553-1558): inscribed, 'Gode saue the most vertuous and no/bull Quene Marys gras, / and send her to injoye the crou[n]ne / of Eynglande longe tyme and spas / her enimys to confunde, and / hutterly
ff. 83, 86, 92). Foliate initials in colours and gold with extensions. Small initials in gold on blue and rose grounds with penwork decoration in white, and line-fillers in blue, rose and gold with penwork decoration in white in the
sheep returning home by the advice of the stag, at the beginning of Chapter 9 of Book 2. 1 large decorated initial with foliate extensions into the margins, in colours and gold (f. 1). 73 small miniatures, in colours
colours and gold, with a foliate initial in colours and gold, and a partial border, at the beginning of the prologue (f. 9). 19 one-column miniatures in colours and gold, with puzzle initials in gold and blue with red and
is missing. 11 full historiated borders on versos, in colours and gold, in the calendar (ff. 1v-11v). 3 full-page miniatures, in colours and gold (ff. 229, 251, 259). Texts and decoration added to a Book of Hours Letters 'IK' linked
is missing. 11 full historiated borders on versos, in colours and gold, in the calendar (ff. 1v-11v). 3 full-page miniatures, in colours and gold (ff. 229, 251, 259). Texts and decoration added to a Book of Hours Letters 'IK' linked
of a fox, having grown old and setting off on a pilgrimage, refusing the companionship of the watch-dog, the wild ass, the bear, the lion, the peacock, the wolf, the pig,and the mule, and choosing the companionship of the
287). Catchwords and bifolium signatures. 143 historiated initials in colours, gold, and silver, with full borders, at the beginnings of biblical books and prologues and 1 miniature in the margin (f. 192v). 23 large foliate initials in colours and gold,