• Section of foliate border decoration with a bird and the heads of two cherubs, measuring 200 x 70 mm (upper border)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Section of foliate border decoration with a female grotesque, measuring 45 x 50 mm (lower border)., Cuttings from a choir book

76:49-54; Private collection, formerly New York, Metropolitan Museum of Art, Robert Lehman Collection (see Pia Palladino, ~Treasures of a Lost Art: Italian Manuscript Painting of the Middle Ages and Renaissance~ (New York: The Metropolitan Museum of Art, 2003), cat. no.

• Frontispiece to the second pillar of ~Arbaah Turim~, ~Yoreh Deah~ (Teaching Knowledge). The initial-word panel ~Barukh~ (blessed) is decorated with white vine motifs. The text is framed by a full floral border inhabited by birds and containing four medallions. The medallion on the bottom is held by two puttos and contains the coat of arms of Joab Emmanuel., ~Arbaah Turim~ (The Four Pillars)

undated (f. 269); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 88.Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his

• Frontispiece to the second pillar of ~Arbaah Turim~, ~Even ha-Ezer~ (The Stone of Help). The initial-word panel is decorated with white vine motifs. The text is framed by a full floral border inhabited by birds and containing medallions. The medallion on the bottom is held by two puttos and contains the coat of arms of Joab Emmanuel., ~Even ha-Ezer~ (The Stone of Help) and ~Hoshen Mishpat~ (The Breastplate of Judgement) of ~Arbaah Turim~ (The Four Pillars) (ff. 2-261v); ~Hilkhot De'ot~ of the Mishneh Torah (ff. 261v-265v)

undated (f. 269); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 88.Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his

• Frontispiece to the fourth pillar of ~Arbaah Turim~, ~Hoshen ha-Mishpat~ (The Breastplate of Judgement). The initial-word panel ~Barukh~ (blessed) is inhabited by three white rabbits and accompanied by a full floral border with birds and medallions. The medallion in the lower margin held by two puttos contains the coat of arms of Joab Emmanuel., ~Even ha-Ezer~ (The Stone of Help) and ~Hoshen Mishpat~ (The Breastplate of Judgement) of ~Arbaah Turim~ (The Four Pillars) (ff. 2-261v); ~Hilkhot De'ot~ of the Mishneh Torah (ff. 261v-265v)

undated (f. 269); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 88.Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his

• Detail of an historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich

• Page of music on the verso of the folio., Leaf from a Gradual

Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich

• Painting of a couple standing at the spread Seder table, lifting the seder basket. Under the table, there is a big cat. Beneath the scene, two figures are preparing food for the Seder., Prayer book, Italian rite

Painting of a couple standing at the spread Seder table, lifting the seder basket. Under the table, there is a big cat. Beneath the scene, two figures are preparing food for the Seder. Captions of the drawings are perhaps in

• Frontispiece to the first pillar of ~Arbaah Turim~, ~ Orah Hayyim~ (The Way of Life). The initial-word panel ~Barukh~ (blessed) is inhabited by three white rabbits. The text is framed by a full floral border inhabited by birds and containing four medallions. The medallion on the bottom is held by two puttos and contains the coat of arms of Joab Emmanuel., ~Arbaah Turim~ (The Four Pillars)

undated (f. 269); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), appendix § 88.Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his

• Miniature of the death of Meleager, with a partial border; and a miniature of a Tudor rose and pomegranates, between two lions surmounted by a fleur-de-lis and a crown, with the autograph inscriptions of Margaret of York, reading 'For yet not har that /ys on of yo[u]r treu frendes / Margarete of Yorke', and her doughter, Marie de Bourgogne, reading 'Prenez moy a jamais pour votre / bonne amie Marie .X. de bourg[og]ne', and erased arms of John Donne of a wolf rampant., Historia Alexandri (Quinte Curse Ruffe des faiz du grant Alexandre)

of John Donne of a wolf rampant. Contains the Historia Alexandri translated as Quinte Curse Ruffe des faiz du grant Alexandre by Vasco da Lucena, a Portuguese in the service of Isabella of Portugal and then of Margaret of

• Initial-word panel with penwork decoration and pen-flourishing accompanied with a dog chasing a hare in the lower margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Initial-word panel with penwork decoration and pen-flourishing, and accompanied with a human head in the outer margin., Commentary on the Pentateuch in an abridged form

181v).Laurentius Franguellus (fl. until 1596), censor: inscribed with his name, 1575 (f. 181v); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), p. 78, appendix § 105-110.Illegible inscription, probably censor's signature (f. 181v).Giuseppe Almanzi (b.

• Flourished 'KL' letters for February., Breviary, Use of York (fragment), with a calendar (ff. 2-7v)

calendar. Breviary, Use ofYork (fragment), with a calendar (ff. 2-7v) Originally part of the same volume as Additional 34190. John Rawe, priest (d. 1500): inscription of his obit (f. 4). Marjory Bulmer (d. 1524): inscription of her obit (f.

• Historiated initital 'D' of the Prophet Zacharias, with his name inscribed on his halo., Cutting from an Antiphoner (index antiphonal; antiphonary)

2-81 and 83-90.New York, Metropolitan Museum of Art, Robert Lehman Collection (see Palladino 2003, cat. no. 69) was probably excised from the same Antiphoner as the present cutting. 1 historiated initital 'D' in colours and gold, of the Prophet Zacharias.

• Historiated initial 'A'(d) of David in prayer, from the beginning of a Gradual., Leaf from a Gradual

Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich

• Detail of the last 4 staves of music and an inscription., Leaf from a Gradual

Gradual Margaret ofYork (b. 1446, d. 1503), duchess of Burgundy: arms (recto), and later inscription (verso, see below). Friars of Greenwich, c. 1500: inscribed 'Ther was A Booke called A graile given unto the graie observant friers of greenwich

• End of Deuteronomy framed by micrographical design., Pentateuch with ~masorah magna~ and ~parva~

195v).Giovanni Domenico Carretto, Italian censor (active in the first quarter of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix §

• ~Masorah~ in micrographical form framing a scribal formula., Pentateuch with ~masorah magna~ and ~parva~

195v).Giovanni Domenico Carretto, Italian censor (active in the first quarter of the 17th century): inscribed with his name, 1612 (f. 196); see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House, 1969), pp. 100-101, and appendix §

• Miniature of Charles V, king of France with his court, receiving a book from the translator, Jean Corbechon, with a full border containing the royal arms of England on banners held by two angels and on a shield encircled by the Garter with the motto 'Honny soit qui mal y pense', and surmounted by a crowned helm with mantling in Edward's IV colours of red and blue, with two shields with the same arms differenced, for the king's two sons, in the lower margin; and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the outer margin, at the beginning of the prologue., Ruralia commoda in French translation (Rustican des ruraulx prouffiz du labour des champs)

and a lozenge bearing a white rose of the York family with the Yorkist badge, 'Dieu et mon droit', in the outer margin, at the beginning of the prologue. Contains the Commoda Ruralia of Petrus de Crescentiis, in twelve books,

• Miniature of Pennon of St George hoisted at 'Ville Viciouse', with a partial border containing a lozenge bearing a white rose of the York family, at the beginning of chapter 23 of book 2., Recueil des croniques d’Engleterre

bearing a white rose of the York family, at the beginning of chapter 23 of book 2. Includes the third volume of the Recueil des croniques d’Engleterre of Jean of Wavrin, preceded by a list of contents (ff. 1-9v). According