• Initial-word panel decorated with foliate scroll., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• ~Carmina figurata~ decorated with floral motifs, at the end of the Psalms., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Miniature of a man kneeling in prayer on a hill. Behind him two young youths are looking for shelter in a house from the heavy hail., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Coloured initial 'A' with foliate decoration., 2 leaves with omelies translated from Origen, cropped

Coloured initial 'A' with foliate decoration. The volume is a collection of fragments from manuscripts of different date and origin. It was originally part of a collection of fragments from manuscripts and printed books, including maps and drawings, assembled by

• Detail of a page: full foliate border in the margins inhabited by a lion, a peacock, a bird, and a dragon., Lisbon Mishneh Torah, volume 1

for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the second volume of the work: Harley

• Detail of a page: initial-word panel with gold letters and penwork decoration and a gold crown, at the introduction of the Mishneh Torah., Lisbon Mishneh Torah, volume 1

for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the second volume of the work: Harley

• Detail of an inscription inserted into the banderol above and beneath the initial word., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a miniature of a man kneeling in prayer on a hill. Behind him two young youths are looking for shelter in a house from the heavy hail., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a miniature of the Israelites crossing the Red Sea., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of an initial-word panel., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a page: miniature of the ~Shabbat kallah~ (Shabbat bride or Shabbat Queen), a symbolic representation of the Shabbat, at the order of the services for Shabbat. A young lady on horseback is coming out of a castle escorted by her entourage., Festival prayer book (~mahzor~) with miscellaneous works in the margins

Detail of a page: miniature of the ~Shabbat kallah~ (Shabbat bride or Shabbat Queen), a symbolic representation of the Shabbat, at the order of the services for Shabbat. A young lady on horseback is coming out of a castle escorted

• Detail of a miniature of a congregation praying in the synagogue., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a miniature of the Shabbat bride is under the ~huppah~ (wedding canopy) surrounded by her entourage., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a miniature of people celebrating Seder with a group of young men lifting the Seder basket over the table., Festival prayer book (~mahzor~) with miscellaneous works in the margins

1984, p. 306).Hippolite of Ferrara, Franciscan censor (active at the end of the 16th century-beginning of 17th century, in Cremona?): inscribed with his name, 1601 (f. 449), see William Popper, ~The Censorship of Hebrew Books~ (New York: KTAV Publishing House,

• Detail of a foliate border inhabited by animals and birds., Lisbon Mishneh Torah, volume 1

for £10,000 (a fraction of their contemporary value) under the Act of Parliament that also established the British Museum; the Harley manuscripts form one of the foundation collections of the British Library.See also the second volume of the work: Harley

• Carpet page with verses from the Psalms in micrographic design., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

between the two columns of text (ff. 151v, 152, 152v). Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end) Ibrahim ibn Yusuf ibn Said ibn Ibrahim al-Isrili, the patron (Hebrew version of his name in

• Carpet pages with colophon., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

between the two columns of text (ff. 151v, 152, 152v). Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end) Ibrahim ibn Yusuf ibn Said ibn Ibrahim al-Isrili, the patron (Hebrew version of his name in

• Text page., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

between the two columns of text (ff. 151v, 152, 152v). Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end) Ibrahim ibn Yusuf ibn Said ibn Ibrahim al-Isrili, the patron (Hebrew version of his name in

• Carpet pages with verses from the Psalms in micrographic design., Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end)

between the two columns of text (ff. 151v, 152, 152v). Grammatical introduction (~Makhberet ha-Tigan~) (ff. 1-37), Pentateuch with ~masorah magna~ and ~parva~ (ff. 38v-end) Ibrahim ibn Yusuf ibn Said ibn Ibrahim al-Isrili, the patron (Hebrew version of his name in

• Decorated and illuminated initials., Canterbury Tales, imperfectly

Shatt' (f. 130).Thomazine Stourton, wife of William (d. 1523), 5th Baron Stourton: inscription 'Tomysin, Lady Stourton' (ff. 54, 78, 116).Inscription, 16th century: 'George Roceter' (f. 140). Members of the Worth family: entries of the births of 'Morryse Worthe ... 1564',