• Miniature of the Immaculate Conception and of Henry VII kneeling, with a trompe l'oeil border, and an illuminated large initial with the royal coat of arms., Proper of the Mass for the Immaculate Conception

i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth of York and their children praying before the image of Anna and Joachim at the Golden Gate (see J. J. G.

• Detail of a miniature of the Immaculate Conception and of Henry VII kneeling., Proper of the Mass for the Immaculate Conception

i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth of York and their children praying before the image of Anna and Joachim at the Golden Gate (see J. J. G.

• Text of a prayer mentioning Henry VII; ‘ut rex noster Henricus sep/timus…’., Proper of the Mass for the Immaculate Conception

i.e., the Ordinance of the Confraternity of the Immaculate Conception, with a portrait of Henry VII, his wife, Elizabeth of York and their children praying before the image of Anna and Joachim at the Golden Gate (see J. J. G.

• Historiated initital 'D' of the Prophet Zacharias, with his name inscribed on his halo., Cutting from an Antiphoner (index antiphonal; antiphonary)

ff. 2-81 and 83-90. To see this cuttings in the Manuscripts Reading Room order Add. 18196, ff. 2-81 and 83-90.New York, Metropolitan Museum of Art, Robert Lehman Collection (see Palladino 2003, cat. no. 69) was probably excised from the same

• Full-page border, from a detached leaf with the text removed, decorated with arabesques and seated figures of a pope, a cardinal, and two bishops, shrouded female figures, urns and floral motifs, framing miniatures of angels adoring the Host and the Last Supper., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

35254P-V.Other cuttings from the same volume are Add. 21412, f. 98-110, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection

• 5 border pieces decorated with flowers, birds and insects., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

35254P-V.Other cuttings from the same volume are Add. 21412, f. 98-110, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection

• Full-page border from a detached leaf with the text excised, decorated with four 'female' masks and figures of the four Evangelists in cartouches., Cuttings from a Gospel Lectionary (index Evangelistary) of Gregory XIII

35254P-V.Other cuttings from the same volume are Add. 21412, f. 98-110, Add. 49520; Chicago, Art Institute of Chicago, 1982.438; New York, Brooklyn Museum, 11.499 and The Morgan Library and Museum, MS. 270; Philadelphia, Free library, Ms. 27:7; Texas, private collection

• Miniature of the horoscope diagram for the day in which the world was created, including a world map within an astrological chart and personifications of winds, surrounded by 12 triangles with symbolic scenes representing aspects of life associated with the twelve astrological houses. The world map is a loose copy of the world map printed by Francesco Rosselli in Florence in 1492-3, which was copied from Henricus Martellus map (Additional 15760 f. 69)., Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum

anglie et fra[n]/cie regem septimu[m]'; completed, possible as a New Year Gift for 1503, before the death of Elisabeth of York, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed

• Calligraphic initial 'L'(iber de optimo fato) at the beginning of William Parron's dedication., Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum

anglie et fra[n]/cie regem septimu[m]'; completed, possible as a New Year Gift for 1503, before the death of Elisabeth of York, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed

• Historiated initial 'S'(apientissime) of king Henry VII enthroned, with Tudor roses and the royal arms of England in the border., Liber de Optimo fato Henrici Eboraci ducis et optimorum ipsius parentum

anglie et fra[n]/cie regem septimu[m]'; completed, possible as a New Year Gift for 1503, before the death of Elisabeth of York, consort of Henry VII (d. 11 February 1503), for whome he foretold a life of eighty or ninety years.Inscribed

• Detail of a miniature of Charles the Bold enthroned and surrounded by his court receiving the book from Vasco da Lucena, at the beginning of the prologue., Cyropaedia (Cyropedie); De re militari (Lart de chevalerie)

in service of Isabella of Portugal and then her son, Charles the Bold of Burgundy and his wife Margaret of York; addressed to Charles the Bold (b. 1433, d. 1477), duke of Burgundy (ff. 7-204v); preceded by a list of

• Miniature of Charles the Bold enthroned and surrounded by his court receiving the book from Vasco da Lucena, with a full border containing Charles's motto 'oublier ne puis' and the arms of Thomas Thwaytes, at the beginning of the prologue., Cyropaedia (Cyropedie); De re militari (Lart de chevalerie)

in service of Isabella of Portugal and then her son, Charles the Bold of Burgundy and his wife Margaret of York; addressed to Charles the Bold (b. 1433, d. 1477), duke of Burgundy (ff. 7-204v); preceded by a list of

• Detail of a miniature of Imagination taking leave of the knight, with the city of Halle in the background, with a full trompe l'oeil border including a bird and an owl., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail of an historiated initial 'A'(vous) of Henry VII receiving the book from the writer., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail of a marginal painting of flowers and a bear, from the partial trompe l'oeil border., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Text page., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Miniature of Imagination introducing the knight to the three Virtues (or the three aspects of Nobility), with a full trompe l'oeil border, including flowers, birds, and a monkey., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail of a miniature of Imagination introducing the knight to the three Virtues (or the three aspects of Nobility)., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Detail from the full trompe l'oeil border, including flowers, a bird, and a monkey., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old

• Miniature of a prince enthroned, with supplicants surrounding him, and God the Father above, with a full trompe l'oeil border including flowers, Tudor roses, and a bird., Imaginacion de vraye noblesse

Roy dangleterre et de france' (f. 1); royal arms of England surmounted by a crown, with a white rose of York and a red rose of Lancaster (f. 3). ?Shelfmark of a very large number in brown ink (Carley's 'Old