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the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
the office of the dead is the use of Bayeux, according to Dondi 2004 p. 64.Unfoliated paper leaves after ff. 1, 3, 5-8, 10-12, 23, 46, 60, 74, 89, 106, 122, 139, 202, 204-210. Two ivory panels, of scenes from
outline drawings of a face (f. 49v). Text in triangular shape (ff. 70v-72v). Spaces left for rubric and initials (ff. 1, 6v). Theological works including De magistro The Benedictine Abbey of St Augustine, Canterbury (see Bishop 1957 and Dumville 1993,
outline drawings of a face (f. 49v). Text in triangular shape (ff. 70v-72v). Spaces left for rubric and initials (ff. 1, 6v). Theological works including De magistro The Benedictine Abbey of St Augustine, Canterbury (see Bishop 1957 and Dumville 1993,
outline drawings of a face (f. 49v). Text in triangular shape (ff. 70v-72v). Spaces left for rubric and initials (ff. 1, 6v). Theological works including De magistro The Benedictine Abbey of St Augustine, Canterbury (see Bishop 1957 and Dumville 1993,
outline drawings of a face (f. 49v). Text in triangular shape (ff. 70v-72v). Spaces left for rubric and initials (ff. 1, 6v). Theological works including De magistro The Benedictine Abbey of St Augustine, Canterbury (see Bishop 1957 and Dumville 1993,
Thomas Cardinalis (see Carley 2000, p. xxxiii).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1011' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; Included in the catalogue of 1666, Royal
Thomas Cardinalis (see Carley 2000, p. xxxiii).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1011' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; Included in the catalogue of 1666, Royal
Thomas Cardinalis (see Carley 2000, p. xxxiii).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1011' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; Included in the catalogue of 1666, Royal
Thomas Cardinalis (see Carley 2000, p. xxxiii).The Old Royal Library (the English Royal Library): Westminster inventory number 'no. 1011' (f. 1), acquired by the Upper Library at Westminster after the inventory of 1542; Included in the catalogue of 1666, Royal
half of the 13th century while ff. 15-176 are from the 4th quarter of the 13th century. The flyleaves (ff. 1, 177-178) contain portions of an antiphoner containing offices of St Oswald and All Saints in Protogothic script with square
half of the 13th century while ff. 15-176 are from the 4th quarter of the 13th century. The flyleaves (ff. 1, 177-178) contain portions of an antiphoner containing offices of St Oswald and All Saints in Protogothic script with square
half of the 13th century while ff. 15-176 are from the 4th quarter of the 13th century. The flyleaves (ff. 1, 177-178) contain portions of an antiphoner containing offices of St Oswald and All Saints in Protogothic script with square
half of the 13th century while ff. 15-176 are from the 4th quarter of the 13th century. The flyleaves (ff. 1, 177-178) contain portions of an antiphoner containing offices of St Oswald and All Saints in Protogothic script with square
half of the 13th century while ff. 15-176 are from the 4th quarter of the 13th century. The flyleaves (ff. 1, 177-178) contain portions of an antiphoner containing offices of St Oswald and All Saints in Protogothic script with square
designs, and red penwork decoration / pen-flourishing or in red, with reserved designs, and green penwork decoration / pen-flourishing (ff. 1, 7, 13v, 20, 25v, 36, 43v, 52v, 59v, 66, 76, 84, 92v, 101v, 112v, 120v, 128, 135v, 144, 153,