• Puzzle initial., Medical miscellany (ends imperfectly), including Hippocrates' Prognostica

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Decorated initial., Medical miscellany (ends imperfectly), including Hippocrates' Prognostica

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Decorated initials., Medical miscellany (ends imperfectly), including Hippocrates' Prognostica

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial and decorated initials., Medical miscellany (ends imperfectly), including Hippocrates' Prognostica

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Decorated initials., Medical miscellany (ends imperfectly), including Hippocrates' Prognostica

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initials., Medical miscellany (ends imperfectly), including Hippocrates' Prognostica

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Decorated initials., Medical miscellany (ends imperfectly), including Hippocrates' Prognostica

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Puzzle initial., Medical miscellany (ends imperfectly), including Hippocrates' Prognostica

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Decorated initials., Medical miscellany (ends imperfectly), including Hippocrates' Prognostica

Society in 1667.The Royal Society, London (its ink stamp: 'Soc. Reg. Lond / ex dono HENR. HOWARD / Norfolciensis.', f. 1; its book-plate with the pencil inscription: ‘XII.6.20’, inside upper cover).Purchased by the British Museum from the Royal Society of

• Decorated initials, and quire signature., Missal (the 'Missal of Fontebuono')

'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate

• Marginal drawing of the Annunciation., Missal (the 'Missal of Fontebuono')

'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork decoration, and foliate

• Historiated initial 'C'(oncede) with the Nativity, and illuminated initial 'I'(n)., Missal (the 'Missal of Fontebuono')

medieval red ink 'i'-'cci' (ff. 203-412).Musical notation on a two-line stave.Quire signatures in small Roman numerals. 1 historiated initial in colours and gold on a blue ground (f. 18v). Large initials in gold, mainly on blue grounds with red penwork

• Medieval lists of the contents of the volume, and shelfmark., Speculum, De disciplina christiananorum, and other texts

Medieval lists of the contents of the volume, and shelfmark. Small and large initials in red or green, sometime with foliate or geometric penwork decoration in the same and/or the other colour (e.g., ff. 2, 6, 7v); some with

• Initial 'R'(everentissimo) at the beginning of Pseudo-Alcuin's (Adalbertus of Metz) Speculum., Speculum, De disciplina christiananorum, and other texts

Initial 'R'(everentissimo) at the beginning of Pseudo-Alcuin's (Adalbertus of Metz) Speculum. Small and large initials in red or green, sometime with foliate or geometric penwork decoration in the same and/or the other colour (e.g., ff. 2, 6, 7v); some

• Initial 'Q'(ui) with an animal's head in the bowl of the letter., Speculum, De disciplina christiananorum, and other texts

Initial 'Q'(ui) with an animal's head in the bowl of the letter. Small and large initials in red or green, sometime with foliate or geometric penwork decoration in the same and/or the other colour (e.g., ff. 2, 6, 7v);

• Decorated initial 'P'(rima), at the beginning of Horace's Epistolae., Odes (ff. 3-42), Epodes (ff. 42-50), Carmen saeculare (ff. 50-51), Ars poetica (ff. 51-57), Epistolae (ff. 57-76), Sermones (index Satires) (ff. 76-101v)

Decorated initial 'P'(rima), at the beginning of Horace's Epistolae. Large and small initials alternately red with blue flourishing (as far as f. 25v), or vice versa; those on ff. 3 and 76 with penwork in both colours. Line-fillers. Odes

• Decorated initial 'Q'(ui), at the beginning of Horace's Sermones., Odes (ff. 3-42), Epodes (ff. 42-50), Carmen saeculare (ff. 50-51), Ars poetica (ff. 51-57), Epistolae (ff. 57-76), Sermones (index Satires) (ff. 76-101v)

Decorated initial 'Q'(ui), at the beginning of Horace's Sermones. Large and small initials alternately red with blue flourishing (as far as f. 25v), or vice versa; those on ff. 3 and 76 with penwork in both colours. Line-fillers. Odes

• Bas-de-page scene of a blue-faced grotesque, hunched, with a man standing on his shoulders, and in the upper margin, a man painted around a textual addtion so that he appears to be holding it, from Book 1 of the Decretals., Decretals of Gregory IX with glossa ordinaria (the 'Smithfield Decretals')

margin, a man painted around a textual addtion so that he appears to be holding it, from Book 1 of the Decretals. Part I: the text and gloss written in Southern France, perhaps in Toulouse: lemmata underlined in yellow, with

• Miniatures of the Crucifixion and the Virgin and Child, the soul of Lucy de Vere being carried to heaven by angels, and her funeral, and decorated initial., Mortuary roll of Lucy, foundress and first prioress of the Benedictine nunnery of Castle Hedingham, with tituli (responsive prayers) 1-6

Miniatures of the Crucifixion and the Virgin and Child, the soul of Lucy de Vere being carried to heaven by angels, and her funeral, and decorated initial. Part II is stored separately.This is the fifth oldest English obituary roll,

• Prayers., Mortuary roll of Lucy, foundress and first prioress of the Benedictine nunnery of Castle Hedingham, with tituli (responsive prayers) 1-6

Prayers. Part II is stored separately.This is the fifth oldest English obituary roll, though the others are fragmentary, preceded by those of Turgot of Durham (d. 1115) in Harley 491, Reginald of Bath (d. 1190) in a Cambridge University