Puzzle initial 'A'. Puzzle initials in red and blue with penwork decoration. Initials in red with penwork decoration in red or blue, or in blue with red penwork decoration. Paraphs in red or blue. Line-fillers in red or brown.
Puzzle initial 'P'. Puzzle initials in red and blue with penwork decoration. Initials in red with penwork decoration in red or blue, or in blue with red penwork decoration. Paraphs in red or blue. Line-fillers in red or brown.
The ownership inscription 'De camera abbatis Pippewell'. f. 1 is a parchment leaf. 12 miniatures in colours and gold of the labours of the months (ff. 2-7v). 1 large historiated initial at the beginning of Psalm 51 (f. 8). Large
woman and a man pollarding trees with an axe. f. 1 is a parchment leaf. 12 miniatures in colours and gold of the labours of the months (ff. 2-7v). 1 large historiated initial at the beginning of Psalm 51 (f.
(ff. 122-130).Catchwords. Guide letters. Leaf signatures. Ruled in pink. Pricking holes. Large initial in gold and colours with flowers (f. 1). Numerous coloured initials in alternating blue or red. Capitals marked with yellow. Carmina (index Odes); Epistulae; Sermones (index Satires);
France, 10th century (f. 56v). 1 large initial in blue with red pen-flourishing (f. 46). 2 smaller plain initials in red (f. 46). Treatise on logic with a gloss Inscribed, 'J. de Selve' (ff. 1, 46).The Harley Collection, formed by
in colours, perhaps added (f. 1). Penwork decoration in the lower margins. Initials and paraphs in red. Initials highlighted in red. Biblical sentences underlined in red. Collection of religious text, including 'De penitentia' (f. 1) and a commentary on Sententias
leaves; f. 364 almost totally cut away.Chapters start on new lines, and chapter numbers are inset into the text space. 1 zoomorphic initial, in colours, at the beginning of Genesis (f. 5v). Large puzzle initials in red and blue, with
leaves; f. 364 almost totally cut away.Chapters start on new lines, and chapter numbers are inset into the text space. 1 zoomorphic initial, in colours, at the beginning of Genesis (f. 5v). Large puzzle initials in red and blue, with
hand holding a fishing rod, line, and hook. 1 large initial in blue with red and blue flourishing (f. 2). Small initials alternately blue with red flourishing, or vice versa. Marginal ink drawings (e.g. ff. 24, 25, 26v). De fide
of the book of Job. Headings and some explicits in large capital letters (ff. 1, 3v, 5v, 51, 52, 54v, 97v), some with colours, in yellow, red, or green (ff. 5v, 52, 54v). Large capital letters in brown ink. Added
the book Ezra. Headings and some explicits in large capital letters (ff. 1, 3v, 5v, 51, 52, 54v, 97v), some with colours, in yellow, red, or green (ff. 5v, 52, 54v). Large capital letters in brown ink. Added sketch of
decoration, in the Vocabularium. f. 1 and f. 113, from a theological work, 2nd half of the 13th century, are used as flyleaves. Puzzle initials in blue and red with penwork decoration or pen-flourishing in red and blue (ff. 36,
igitur. 2 large puzzle initials in red and blue (ff. 8v, 65v). 1 large initial in blue with reserved designs (f. 64). Large and small initials plain in red or blue. Missal, Use of Sarum (ends imperfectly) Inscription: 'Obit Johannis
Regum, Consulum, Dictatorum, Magistrum Equitum, Tribuni-Militum consularis potestatis, ab urbe condita usque ad C. Jul. Caesarem Dictatorem. Parens Patriae (vol. 1) Albrecht (b. 1528, d. 1579), Duke of Bavaria: his portrait, the inscription 'Albertus Dei gratia Comes Palatinus ac utriusque
Regum, Consulum, Dictatorum, Magistrum Equitum, Tribuni-Militum consularis potestatis, ab urbe condita usque ad C. Jul. Caesarem Dictatorem. Parens Patriae (vol. 1) Albrecht (b. 1528, d. 1579), Duke of Bavaria: his portrait, the inscription 'Albertus Dei gratia Comes Palatinus ac utriusque
1 large initial in blue with red and blue flourishing (f. 2). Small initials alternately blue with red flourishing, or vice versa. Marginal ink drawings (e.g. ff. 24, 25, 26v). De fide orthodoxa ? Unidentified Oxford owner, second half
3 of Goffredi di Trano's Summa. 2 large initials in colours with human figures, each extending into the margins (ff. 1, 51). Large and small initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraph marks in
in red or blue. Paraphs in red or blue. Line-fillers in red. Marginal drawings of a face (ff. 52, 122v). 1 initial in brown and red (f. 246v). Medical miscellany, including Aldebrandino of Siena's Régime du corps (ff. 24-81); Herbal
77-92 are a later addition. 1 large initial in red with penwork decoration in brown and foliage (f. 2). Large initials in red or blue, some with a yellow wash or with penwork decoration in brown and red. Initial in