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(ff. 1v, 85, 136, 226v). 6 foliate initials with dragons, in colours and gold at the beginning of prologues (ff. 1, 84, 135, 135v, 225v). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red
(ff. 1v, 85, 136, 226v). 6 foliate initials with dragons, in colours and gold at the beginning of prologues (ff. 1, 84, 135, 135v, 225v). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red
(ff. 1v, 85, 136, 226v). 6 foliate initials with dragons, in colours and gold at the beginning of prologues (ff. 1, 84, 135, 135v, 225v). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red
(ff. 1v, 85, 136, 226v). 6 foliate initials with dragons, in colours and gold at the beginning of prologues (ff. 1, 84, 135, 135v, 225v). Initials in blue with red pen-flourishing, or in red with blue pen-flourishing. Paraphs in red
for rubrics. 1 miniature in colours and gold, at the beginning of Liber sextus (f. 161). 2 historiated initials in colours and gold (ff. 1, 299), and 9 initials in colours and gold with pope's heads (ff. 1, 82, 112,
for rubrics. 1 miniature in colours and gold, at the beginning of Liber sextus (f. 161). 2 historiated initials in colours and gold (ff. 1, 299), and 9 initials in colours and gold with pope's heads (ff. 1, 82, 112,
and bifolium signatures. 5 historiated initials in colours and gold with foliate extensions, at the beginning of each book (ff. 1, 72v, 133, 195, 217v). Foliate initials in colours and gold, at the beginning of major gloss divisions. Initials and
and bifolium signatures. 5 historiated initials in colours and gold with foliate extensions, at the beginning of each book (ff. 1, 72v, 133, 195, 217v). Foliate initials in colours and gold, at the beginning of major gloss divisions. Initials and
of Our Lady and Gospel of Nicodemus (ff. 147-156). 5 puzzle initials in red and blue with penwork decoration (ff. 1, 16v, 71, 81, 101). Numerous smaller initials in red or blue with pen-flourishing in the other colour. Rubrics in
of Our Lady and Gospel of Nicodemus (ff. 147-156). 5 puzzle initials in red and blue with penwork decoration (ff. 1, 16v, 71, 81, 101). Numerous smaller initials in red or blue with pen-flourishing in the other colour. Rubrics in
leather is pasted inside the covers of the modern binding.Old pressmark 'No 18' (f. 1). Initials in red or brown with penwork decoration in either colour. Highlighting in red. Lower margins contain drawings and run-on lines decorated in red and
of England, at the beginning of the text. Catchwords. 1 illuminated initial in colours and gold, with the royal arms of England and a partial border with Tudor roses (f. 3). 1 initial in gold on blue and rose ground.
at the end. 3 decorated initial-word panels with partial border, in colours and gold or silver (ff. 6, 37v, 72v). 1 initial word in gold (f. 17v). Micrography (f. 7v). ~Keter Malkhut~ (The Crown of Kingship) by Solomon ibn Gabirol
The script, ruling, and decoration change at the beginning of quire iv (f. 37). 1 large initial in colours and gold (f. 1). 3 small puzzle initials in red and blue, flourished in red and blue, at the beginning of
The script, ruling, and decoration change at the beginning of quire iv (f. 37). 1 large initial in colours and gold (f. 1). 3 small puzzle initials in red and blue, flourished in red and blue, at the beginning of
Historiated initial with a king. 1 large historiated initial with foliate partial borders, in colours and gold (f. 70v). 1 large puzzle initial in red and blue with pen-flourishing in blue and red (f. 142). Large and small initials in
156, 178). 1 smaller initial in gold on a red and blue ground (f. 227). Smaller initials (2 lines) in red or blue with pen-flourishing in blue (and red) or red (and blue), with decorated extensions. Small initials (1 line)
156, 178). 1 smaller initial in gold on a red and blue ground (f. 227). Smaller initials (2 lines) in red or blue with pen-flourishing in blue (and red) or red (and blue), with decorated extensions. Small initials (1 line)
colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,
('De Trinitate') of Petrus Alfonsi's 'Dialogus contra Judaeos'. Running headers (ff. 1-17); catchwords (1 word respectively); quire signatures (on the first leaf of quires, near the gutter).Ampersands. 1 diagram in red and brown, with a yellow wash (f. 53v). Numerous