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Goliath, and seated kings, with marginal birds, at the beginning of Psalm 1. Musical notation.The calendar is of Sarum. Initials and partial bar borders in gold, red, blue, and white, some with white flowers, figures, masks, animals, or hybrids, in
David, David and Goliath, at the beginning of Psalm 1. Musical notation.The calendar is of Sarum. Initials and partial bar borders in gold, red, blue, and white, some with white flowers, figures, masks, animals, or hybrids, in the calendar (ff.
this cutting in the Manuscripts Reading Room order Add. 35254A-G. Add. 18196, f. 1 is another leaf from the hymnal of the Compagnia di Sant'Agnese.Musical notation. 1 historiated miniature in colours and gold, of the Apparition of Michael, with the
referred to in publications by this number. To see this cutting in the Manuscripts Reading Room order Add. 29902.Musical notation. 1 historiated initial 'F' with foliate extension and medallion of pseudo-Oriental writing in colours and gold, with a depiction of
initials, with red pen-flourishing infilled with green wash, some including dragons (characteristic of Utrecht, see Gumbert 1990) (ff. 1, 27v, 51v, 70, 73), the first accompanied by a full border of red penwork infilled with green wash, framed in blue.
initials, with red pen-flourishing infilled with green wash, some including dragons (characteristic of Utrecht, see Gumbert 1990) (ff. 1, 27v, 51v, 70, 73), the first accompanied by a full border of red penwork infilled with green wash, framed in blue.
initials, with red pen-flourishing infilled with green wash, some including dragons (characteristic of Utrecht, see Gumbert 1990) (ff. 1, 27v, 51v, 70, 73), the first accompanied by a full border of red penwork infilled with green wash, framed in blue.
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
hybrids, in the calendar (ff. 2-7v). Historiated initial and 3-sided border in colours and gold at the beginning of Psalm 1 (f. 8). Historiated initials and full bar borders at the beginning of the other major Psalm divisions of 26,
Most of the rest of the decoration consists of drawings of birds and other figures in the margins (e.g. f. 1), on the initials (e.g. f. 92v), or attached to descenders of the lowest line of writing (e.g. f. 37).
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder
in the 14th century and containing no significant decorative features. 19 tinted drawings (some with gold) of the Creation (f. 1), the battle of Troy (f. 1v), Brutus and Innogent (above); Locrin, Kambere, and Albanac (below) (f. 2), the murder