• Historiated initial 'U'(nd) of a boat with sailors, Jonah, and the whale, at the beginning of Jonah., Old Testament (volume 2), from Psalms

pink, green, yellow, purple, and gold (f. 1). 23 large historiated initials in colours and gold and sometimes silver, with foliate decoration forming a partial border at the beginning of books (ff. 1, 41, 53v, 58, 60, 69, 93v, 123v,

• Three-sided white vine border with initial 'S'(emper), and unidentified arms, added in ink, in the lower margin., Satires (index Saturae, Satirae)

gold with a large gold initial, and an unidentified coat of arms inserted in ink in the lower margin (1).1 large white vine initial in colours and gold (f. 73). 21 gold initials on coloured panels (ff. 4, 7v,

• Three-sided white vine border inhabited by birds with a large white vine initial 'I'(n) and a wreath designed for a coat of arms in the lower margin., Ab urbe condita (the Third Decade)

vine initial in colours and gold and a wreath designed for a coat of arms in the lower margin (f. 1). 9 large white vine initials in colours and gold (ff. 24, 48v, 69, 89v, 109v, 131v, 156, 179, 196).

• White vine border with a portrait of Horace in a roundel, two putti, an unidentified coat of arms, and a large white vine initial 'M'(ecenas)., Opera

putti, and an unidentified coat of arms, with a large initial in gold, and rubrics in gold and violet (f. 1). 9 large initials in gold on coloured panels at the beginning of each book (ff. 15, 24, 40, 49,

• Decorated initials 'A'(l)' and 'N'(ondum) at the beginning of book 12 of Statius' Thebaid., Thebais (index Thebaid)

163v, the pen-flourishing extends into the margin. Smaller initials in red or blue with pen-flourishing in the other colour (f. 1 (x2)). Capitals marked with red mainly reserved for the openings with decorated initials (ff. 1-3, 14v-15, etc.). Catchword with

• Decorated initial 'Q'(ui) and white vine decoration in the border enclosing defaced arms, probably that of the Sassetti family, at the beginning of Ovid's Amores., Amores

probably that of the Sassetti family, at the beginning of Ovid's Amores. f. 1 is a parchment leaf. Ending with Ovid's epitaph (ff. 50v-51).Leaf signatures. Large initial in gold on a blue panel at the beginning of each book (ff.

• Illuminated initial 'S'(i)., Orationes in C. Verrem (index Orationes in Verrem; Oratio in Caecilium)(ff. 1-79); Orationes in Catilinam (ff. 80-97)

C, etc. Large initials in gold, outlined in black, on red and blue grounds ornamented with white filigree decoration (ff. 1, 10, 15, 30v, 54v, 80, 80v, 85 (x 2), 89, 93v). Rubrics in red. Paraphs in red or blue.

• Decorated initial 'O'(mnis homines) with leaves and flowers, and square capitals in three-colour alternation at the beginning of Sallust's Cataline Conspiracy., Catilina (ff. 1-45v), Jugurtha (ff. 45v-134)

the beginning of Sallust's Cataline Conspiracy. 2 large decorated foliate initials, in colours and gold (ff. 1, 45v). Square capitals used as display script. Catilina (ff. 1-45v), Jugurtha (ff. 45v-134) ? Written by Gaspar of Verona (b. c.1400, d. 1474),

• Decorated intial., Travels of Sir John Mandeville

intial. 1 large decorated initial, in colours (f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).?

• Text page., Travels of Sir John Mandeville

page. 1 large decorated initial, in colours (f. 3). Smaller initials in plain red or blue, some with reserved designs. Travels of Sir John Mandeville ? The Benedictine Abbey of St Albans (see below).? Willyam Caxton, by 1490 (see below).?

• Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

Puzzle initial 'P'(aschales) below a rubric with the date 1465 in medieval arabic numerals, at the beginning of a prologue ff. 1-3v are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials

• null, Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc.

ff. 1-3v are notes by Barthélemy Mercier (b. 1734 d. 1799), abbé de St.-Léger. Large and small puzzle initials in red and blue. Carmen paschale; Hymns; Psychomachia; Cathemerinon; Peristephanon; etc. Apparently written in 1465: a rubric reads 'Prologus sedulij

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

for Psalms 26, 38, 51, 80, 101, and 109. 1 large painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around

• null, Commentary on the Psalms (imperfect, starting in the middle of the commentary on Psalm 9 and ending in the middle of the commentary on Psalm 146)

for Psalms 26, 38, 51, 80, 101, and 109. 1 large painted initial with acanthus leaf decoration at the beginning of Psalm 68 (f. 111), and other large and small red, blue, green, and yellow simple initials, some decorated around

• Detail of a miniature of a master and scholars., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Detail of a miniature of a master and scholars., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Detail of a miniature of God, with the instruments of Creation., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of diagrams showing the shape of the earth., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Circular diagrams and text., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating

• Miniature of diagrams to show the shadow of the earth., L'image du Monde

also found in other manuscripts, follows (f. 5). Five miniatures with colours and gold of a master with pupils (f. 1); the Creator with symbols of his power (f. 5v); the creation of the earth (f. 8); the Creator creating