with red pen-flourishing. Line fillers decorated in gold and blue. Cadels. Capital letters highlighted in yellow. Chroniques, Vol. IV, part 1 (the 'Harley Froissart') Philippe de Commynes (b. 1447, d. 1511), statesman and chronicler: his added arms, quartered with those
in colours and gold (ff. 1, 13, 15, 84, 99v, 108v, 116v (x2)). Large puzzle initials in gold and blue, with pen-flourishing in blue (and red) and red (and blue), developing decorated extensions with fleur-de-lys, 1 developing a full border
Headpiece and decorated initial at the beginning of the text. Watermark of an angel, see C. M. Briquet, ~Les Filigranes: Dictionnaire historique des marques du papier dès leur apparition vers 1282 jusqu'en 1600~, A Facsimile of the 1907 edition
text in 1471.Catchwords written vertically. Leaf signatures.ff. i-iii are blank flyleaves.Composite codex. Large initial in blue with red pen-flourishing (f. 1). Large coloured initials in red or blue, some with reserved lines, others with a small amount of penwork decoration
24v, for a list of contents of the composite manuscript; inscribed ‘Seduli(us) & p(ro)sp(er). Glosati’ in a formal script (f. 1, top margin; the Prosper is now Burney 344). Simple red or green initials, some decorated with the other colour
Detail of decorated initials. Ff. 1-24 is a separate manuscript with no illumination except paraph marks in plain red or blue, but the whole volume belonged apparently to Pirckheimer. He added a table of contents at the end (ff.
and patron of the arts, inscribed as usual by their librarian, Humfrey Wanley ‘5 Septembris, 1720’ (unfoliated flyleaf before f. 1). Edward Harley bequeathed the library to his widow, Henrietta, née Cavendish Holles (b. 1694, d. 1755) during her lifetime
Crayon drawing of an ornament, in the lower margin. Quire marks (in the centre of the lower margin of the verso of the last leaf of quires 1-13). One leaf missing between ff. 102-103, another between ff. 110-111, and
man (f. 20v). Etymologies (index Etymologiae), divided into 20 books, with two letters of correspondence between Isidore and Braulio (f. 1), imperfect Written by several scribes from Western France (probably Brittany), partly on palimpsest leaves (14) containing extracts from Eusebius-Jerome's
man (f. 20v). Etymologies (index Etymologiae), divided into 20 books, with two letters of correspondence between Isidore and Braulio (f. 1), imperfect Written by several scribes from Western France (probably Brittany), partly on palimpsest leaves (14) containing extracts from Eusebius-Jerome's
man (f. 20v). Etymologies (index Etymologiae), divided into 20 books, with two letters of correspondence between Isidore and Braulio (f. 1), imperfect Written by several scribes from Western France (probably Brittany), partly on palimpsest leaves (14) containing extracts from Eusebius-Jerome's
chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the
chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the
chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the
chronicle in the same later hand (ff. 336-343)Religious and moral works in a 15th C hand (in two columns) (ff. 1, 344-5) Marginal ink drawings depicting events in the chronicle including: the Nativity (f. 20), the baptism of Ethelbert, the
Decorated initial 'F'(ata) at the beginning of the text. ff. 244v-245 are written in Filelfo's hand, the rest of the manuscript was written in a different hand, but annotated by Filelfo.Catchwords. Leaf signatures.For another autograph manuscript by Filelfo, see
Text page with the third and fourth chapters of the Inferno. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black
Marginal drawings of Dante and Virgil entering Hell. Horizontal catchwords.This manuscript was made in Milan in 1469, according to unpublished notes of A. C. de la Mare at the Bodleian Library, Oxford. Marginal drawings in black ink of subjects
Detail of a drawing of the constellation Aries, with the stars picked out as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De
Detail of a drawing of the constellation Aquarius, with the stars picked out as red dots. Containing Hygenius De Astronomia (ff. 1-30); Priscian, De Duodecim Signis (f. 30r-v); Abbo of Fleury, De differentia circuli et sphere (ff. 30v-32); De