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end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration
end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration
end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration
initial 'V'(erbum). Ruled in hardpoint.Horizontal catchwords.Marginal annotations. 1 large historiated initial in colours with a portrait of Priscian (f. 1).1 initial in colours in the form of a snake (f. 12). 1 historiated initial in colours of a man
end of the main arches, unfinished (ff. 1-7). 1 incipit page with an initial in colours with interlace decoration, at the beginning of the Epistle of Jerome to Damasus, unfinished (f. 9). 1 smaller initial in colours with interlace decoration
beginning of the prologue to the De fide catholica of Isidore. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at
Zoomorphic initial 'I'(udei) with an animal head. 1 anthropomorphic initial formed of two monks in outline drawing, at the beginning of the prologue (f. 1v). 1 initial with zoomorphic and interlace decoration in black ink, at the beginning of the
beginning of the sermons based on John. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage
of the sermons based on Matthew. 1 large initial in green, blue, gold outlined in red, and silver (tarnished to metallic black), at the beginning of the sermons based on Matthew (f. 3). 2 large initials infilled with foliage in
Illuminated headpiece decorated with geometric patterns, and initial 'A'(ndres) at the beginning of Gregory Nazianzus' De pauperum amore (Oratio 14). f. 20r-v formerly used as a pastedown.Old pagination on ff. 1-18v of 481-516.ff. 1-18 were formerly gatherings 31-33 of
colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,
colours and gold with enclosed titles in red majuscules, and large coloured initials below at the beginning of texts (ff. 1, 16, 29, 37v, 55v, 72v, 81, 94, 103, 111v, 117, 124, 135v, 143v, 148, 153v, 169, 181v, 191v, 200v,
Musica. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain
Enchiriadis. Musical notation: neumes (ff. 1, 92-98), Daseian (ff. 63v-91v).Diagrams identical with those from Brussels, Bibliothèque Royale, Ms. 5444-6, and Vienna, Österreichische Nationalbibliothek, Cod. 2269 (see Bower, 1988, p. 220 nr. 40). Numerous diagrams. Large and small initials in plain
nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories
nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories
nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories
nupits Philologiae et Mercurii~ by Martianus Capella (f. 35). Musical notation: neumes (f. 35). 1 large interlace initial in brown ink, with bird heads (f. 1). Large and small simple initials in brown ink. Gesta regum Francorum, and other histories
Detail of headpiece. f. 20r-v formerly used as a pastedown.Old pagination on ff. 1-18v of 481-516.ff. 1-18 were formerly gatherings 31-33 of a larger volume. Headpiece decorated with geometric patterns in colours and gold. Large gold and blue initial
xxij d' (f. 1) (see Watson 1963 and Watson 1966). Part 1 and 2: Sir Simonds d'Ewes (b.1602, d. 1650), 1st baronet, diarist, antiquary, and friend of Sir Robert Cotton (see Wright 1972): inscribed '2' (f. 1) and 'Vita S(ancte)