in brown ink with red (f. 77). Genealogical tree starting with Adam in brown ink, with some red, blue, and yellow (ff. 39-42). Large initial in brown ink with foliage and clasps, with colour washes (ff. 51, 119). Large initial
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
of Psalm 1 (f. 24). Large and small initials in gold, with penwork decoration in blue and yellow from ff. 24v-32v. Text in red, blue, or gold (chrysography). Psalter (The 'Melisende Psalter') with canticles, prayers, and litany ? made for
and the Gospels (ff. 57v, 155, 166, 173v, 185v). 3 full-page canon tables with decorated architectural frames in red, green, blue, and some yellow, some with people or animals (ff. 152v-154). 1 large historiated initials in colours, at the beginning
a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,
a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,
a hybrid, in black and red, set within two concentric circles, drawn by compass in red (f. 3v). Initials in blue, red, or/and yellow. First letters of verses highlighted in red or yellow. Line-fillers in red or yellow. Ars Poetica,
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine
of red pigment visible. Separated ivory panel backings. Embroidered silk spine, with silver thread and equal-armed crosses in red and blue. 19th-century additions. Former binding, now kept separately, with two ivory panels, separated ivory panel backings, and embroidered silk spine