Your search found 22836 results in 1 resource
full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his
full border in colours and gold, at the beginning of the text (f. 1). Initials in blue with red pen-flourishing. Paraphs in red or blue. Some catchwords in decorated frames. Commentary on Wisdom John of Lutton, written by him: his
181, 211, 232, 261, 297). Initials in gold on rose and blue grounds with penwork decoration in white, those at the beginning of chapters with foliate extensions. Line-fillers in blue and rose with penwork decoration in white. Facta et Dicta
52, 68v, 73v, 77v, 91,189, 192v). Large and small initials in plain red. Small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Decorated catchwords. Canon medicinae Inscribed by 1362, 'Anno domini m^o^ ccc^o^ lxii^o^. 20 die
in a monk's habit, holding a martyr's palm, with a full foliate border with coat of arms. Leaves excised after ff. 9 (off-set from heraldic device on preceding unfoliated flyleaf), 132, 147, 151, 158, 184, 191 (off-set from heraldic device
154v, 192v). Initials, paraphs, and running titles in blue with red pen-flourishing, or in red with blue pen-flourishing. Line-fillers in red and blue. Marginal notes and catchwords in frames in red and blue. Le Songe du Vergier Charles V (b.
litany. Large initials in gold on coloured grounds in red, and/or blue, and/or green, with flowers extending into the margins. Small initials and line-fillers in gold on red, blue or green grounds. Book of Hours, Use of Rome (the 'Hours
litany. Large initials in gold on coloured grounds in red, and/or blue, and/or green, with flowers extending into the margins. Small initials and line-fillers in gold on red, blue or green grounds. Book of Hours, Use of Rome (the 'Hours
sitting on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to
on the ground, holding the hem of his habit, with a pair of scissors lying nearby. The style and subject, especially the many bas-de-page narratives ranging from romance and fabliau to biblical and hagiographic material, are closely connected to two
repainted miniature of Jean, duke of Berry receiving the book from the author, Honoré Bouvet, in a prior's habit with a blue hood, with a full border with Jean's arms, and a foliate initial 'A'( la sainte), at the beginning
full or partial borders (e.g., f. 5). Initials in blue with gold and blue, and red pen-flourishing. Running titles and chapter numbers alternately in red or blue with red and blue pen-flourishing and gold. Some rubrics and paraphs written in
armed with a sword and a shield and his black habit on the ground, facing an abbot. The only known, and probably autograph copy of the Omne Bonum of James le Palmer, being a general encyclopaedia arranged in alphabetical order.
full or partial borders (e.g., f. 5). Initials in blue with gold and blue, and red pen-flourishing. Running titles and chapter numbers alternately in red or blue with red and blue pen-flourishing and gold. Some rubrics and paraphs written in
full or partial borders (e.g., f. 5). Initials in blue with gold and blue, and red pen-flourishing. Running titles and chapter numbers alternately in red or blue with red and blue pen-flourishing and gold. Some rubrics and paraphs written in
of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. Italian cuttings. The present cuttings are boxed with Add. 60630, ff. 1-10 and 13- 42. To
in a monkish habit, gives poison to King Ambrosius. The first quire misbound; the right order being ff. 2, 8, 3-7, 1, 9.French verse translation, in octosyllabic couplets, of Geoffrey of Monmouth's Historia Regum Britanniae.One of the first images of
choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /
choir of angels, medallions inhabited with saints, and ‘drôlerie’ of a Franciscan monk, dressed in the Order’s original grey hooded habit, climbing amongst the foliage. On the reverse text: 'Virgam virtutis tue e / mittet d(omi)n(u)s ex Syo(n): do /
dressed in a Benedictine habit and holding a crozier and a full scatter border including dianthus, forget-me-nots, strawberries, insects, and birds. For another Tudor Book of Hours with royal autographs see Additional 17012, which contains the autographs of Henry VII,