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inhabited by a man climbing on a vine and a hybrid wrestling a bear. Decorated initial 'U'(nde) in gold and blue, and an original 15th-century initial 'D'(ux) which was cut-out from the original folio and pasted onto the present folio.
into the margins, in colours. Small initials in plain red or blue. Breviary, Ambrosian use Colophon, stating that the the volume was written by Antoni degli Uberti, son of the late Messer Antonio degli Uberti of Margno in Valsasina, for
large initials in gold with white vine decoration in colours and foliate extensions (ff. 1, 21). Numerous plain initials in blue. Rubrics in red. Capitals marked in red. Odes (index Carmina) Pandolfo di Ricasoli, baron, of Florence: his bookstamp, 17th
Mare at the Bodleian Library, Oxford. 2 white vine initials in gold and colours (f. 1). Smaller coloured initials in blue. Satires Alessandro Acciauoli (index Alessandro Acciaiuoli) (b. 1545), Florentine noble: inscribed 'Hic Liber est Alexandri Acciauoli. No. 32' (f.
into the margins, in colours. Small initials in plain red or blue. Breviary, Ambrosian use Colophon, stating that the the volume was written by Antoni degli Uberti, son of the late Messer Antonio degli Uberti of Margno in Valsasina, for
Nero C. 12 is another cartulary of the hospital of Burton Lazars made for Walter Lynton in 1404. Initials in blue with red pen-flourishing, some large, some small. Cartulary made for Walter Lynton (index Walter de Lynton), master of the
3). Large red initials with red penwork decoration (ff. 75, 104v, 156, 203, 226v ). Numerous smaller red initials with blue, red, or brown penwork decoration (a few with sketches of people or animals). Numerous plain red initials. Incipits, explicits,
3). Large red initials with red penwork decoration (ff. 75, 104v, 156, 203, 226v ). Numerous smaller red initials with blue, red, or brown penwork decoration (a few with sketches of people or animals). Numerous plain red initials. Incipits, explicits,
rose and blue grounds with penwork decoration in white and with partial bar-borders, at the beginning of other Psalms. Small initials in gold on rose and blue grounds, at the beginning of verses. Line fillers in red, blue, and gold,