• Illuminated historiated initial 'P' of Paul handing the book to the messenger Phebe at the beginning of Romans., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial at the beginning of Luke, with Luke shown writing, with the head of his symbol, an ox, and an illuminated initial below of Zacharias censing the altar (Luke 1:9)., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of Acts, of Luke writing and of Theophilus, to whom the Acts are addressed in the opening lines, with two smaller decorated illuminated initials., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' at the beginning of I Peter, of Peter writing, and his arrest; the buildings at the top probably represent the cities to which Peter's epistle was addressed., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'P' of Paul in prison, giving a scroll to a messenger, at the beginning of Philippians., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Detail of a decorated initial 'B'(eatus) at the beginning of Ecclesiasticus 14:22, in a 13th-century leaf., Leaf from a Missal(?) with part of the mass for one martyr

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:

• Decorated initials from a 13th-century leaf., Leaf from a Missal(?) with part of the mass for one martyr

Troper (Sanctus and Agnus tropes). Musical notation: square notation on four-line red staves. Large initials in red with blue pen-flourishing or in blue with red pen-flourishing. Leaf from a Missal(?) with part of the mass for one martyr f. 2:

• Historiated initial 'P'(ost) of a man holding a book, with acanthus leaves extending into the margins., De Consolatione Philosophiae (index The consolation of Philosophy)

with books, and one with a sceptre (ff. 1, 9v, 22v, 40v, 56v). Initials in red with blue or purple pen-flourishing, or in blue with red pen-flourishing. De Consolatione Philosophiae (index The consolation of Philosophy) Inscribed 'Questo lib[r]o è [end

• Initials with pen-flourished decoration., Lanterne of Light, a Lollard text, imperfect

2324, edited by Swinburn in 1917 (see Fletcher and Hudson 2008). Large initials in blue with pen-flourished decoration in red. Rubrics in red. Paraphs in blue. Lanterne of Light, a Lollard text, imperfect With occasional contemporary marginal notes.Thomas Gawdy (b.

• Initial 'C'(um) with pen-flourishing, at the beginning of Johannes Halgrinus de Abbatisvilla's Sermones de tempore per annum, and the inscription of the Cistercian monastery of Eberbach in the lower margin., Sermones de tempore per annum

inscription of the Cistercian monastery of Eberbach in the lower margin. Large and small initials in red with blue pen-flourishing or in blue with red pen-flourishing. Sermones de tempore per annum The Cistercian abbey of St Mary, Eberbach (today Erbach

• Illuminated historiated initial, with Moses (identified by his horns) facing a group of Israelites, making a gesture of speaking (or perhaps counting?) at the beginning of Deuteronomy. The blue ground-line on which they all stand is in fact a serpent., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated historiated initial 'H' at the beginning of Exodus, with Moses (identified by his horns) parting the Red Sea (depicted a vertical blue and red wavy lines), in the upper margin is a pencil instruction indicating the opening words which had been deliberately omitted by the scribe, to be executed in gold by the artist., Bible with prologues, without Psalms ('The Bible of Robert de Bello')

alternately in red or blue, with predominantly blue or red flourishing and marginal extensions, respectively. Line-fillers in red and blue, sometimes in the form of fish. Chapter numbers and running titles in alternate red and blue characters, with flourishes. Guide-letters

• Illuminated initial 'D' in colours and gold with foliate decoration including acanthus leaves, ivy, and foliate feathering extending into the margins to form a partial border, including a male figure., Confessio amantis, imperfect

gold with purple (occasionally faded to grey; often combined with blue; including a dragon (f. 102v), a hybrid creature and male face (f. 109)) or ochre pen-flourishing, or in blue with red pen-flourishing. Running titles written in elaborate Gothic bookhand

• Miniature of the Annunciation, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of matins in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Miniature of the Pentecost, with a decorated initial 'D'(omine) and a full foliate border, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of a group of saints, including a bearded pope, two bishops, a king with a book, Peter and Benedict, at the beginning of the reading for All Saints, in the Hours of the Virgin., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Virgin of Humility with the patron kneeling in front of her, at the beginning of the Hours of the Virgin for Saturday., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of God the Father, at the beginning of the Penitential Psalms., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Pentecost, at the beginning of the Hours of the Holy Spirit., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a

• Detail of a miniature of the Entry into Jerusalem, at the beginning of the Passion of Christ., Book of Hours, Use of Bourges, with a Parisian calendar

All pages with partial pen rinceaux borders in red, blue and gold, with dragons. Large decorated initials, in colours and gold. Small initials and line-fillers in gold on red and blue grounds. Book of Hours, Use of Bourges, with a