• Miniature of David penitent, decorated initial 'D'(omine), and full foliate borders, at the beginning of the Penitential Psalms., Book of Hours, Use of Rome

red and blue grounds accompanied by three-sided foliate borders, in colours and gold, for minor text divisions (ff. 48, 63, 68, 72, 75v, 79v, 86v, 117, 122, 126). Small initials in gold with blue pen-flourishing or in blue with red

• Miniature of a battle at the beginning of Book 2., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• null, Les Chroniques d'Angleterre (3 vols)

initials in gold on red and blue grounds. Cadels. Vol. III: 7 miniatures have been cut out (ff. 50, 88v, 134v, 185, 232, 272v, 290v). Smaller and small initials in gold on red and blue grounds. Cadels. Les Chroniques d'Angleterre

• Miniature of Christine writing her book; on the right, an armed female., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Detail of a miniature of Christine writing her book; on the right, an armed female., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Detail of a miniature of a king and bishop with soldiers., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Text; miniature of a judgement scene at the beginning of book 4, as a man is being put into prison., Le livre des faits d'armes et de chevalerie

and gold (ff. 3, 41, 71, 95). Large initials in gold on red and/or blue grounds. Small initials in gold with blue pen-flourishing or in blue with red pen-flourishing. Cadels. Capital letters highlighted in yellow. Le livre des faits d'armes

• Historiated initial 'A'(d) at the beginning of the hymn based on a psalm verse for the first Sunday in Advent, with a kneeling layman looking up to the radiant face of God, and a direction to the artist or note identifying the subject matter in the lower margin., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial at the beginning of the mass on Christmas day. In the left column, the reading for Christmas eve from the Gospel of Luke is highlighted by the long golden letter I(n), and at the end of the right column, the hymn verses for the introit of mass on Christmas day begin with an historiated initial 'P'(uer) of the Nativity, with the Virgin lying on a red blanket, receiving the infant Christ from the midwife, while Joseph and the animals look on, and a direction to the artist or note identifying the subject matter in the lower margin., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and the historiated initial 'T'(erribilis) with a bishop outside a church, about to sprinkle it with holy water., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initail 'D'(ominus) of Andrew's crucifixion, at the vigil of the feast of Andrew., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'S'(uscepimus) of a bishop blessing the throats of the faithful who are queuing up, holding candles, at the beginning of the feast of Blaise, with a note 'purificaciou(n'), possibly an instruction to the illuminator and a direction to the artist or a note identifying the subject matter in the lower margin., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated partial border and historiated initial 'R'(orate) of the Annunciation to the Virgin, with the Archangel Gabriel bearing a scroll with the words "Ave Maria" beside the Virgin who is in front of an open book, at the feast of the Annunciation,with a note, possibly an instruction to the illuminator, in the lower margin: 'i ymage of oure ladey'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'D'(e) of John the Baptist in the wilderness, wearing a camel skin garment carrying a book to which is tied a small figure of a lamb, at the beginning of the offertory of feast of the birth of John the Baptist on 24 June. In the lower margin, a note, or possibly an instruction to the artist: 'sent Jon ye baptyst'., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use

• Illuminated border and historiated initial 'N'(unc) with Peter and Paul holding their symbols of keys and a sword, respectively, at the beginning of the feast of the Apostles Peter and Paul. In the lower margin, the note "Peter and Paule," is possibly a later identifying note or an instruction to the artist., Missal, Use of Sarum ('The Missal of William Melreth') with Gregory's Trental prayers

on red and blue grounds with white filigree decoration, one with a face (f. 262). Small initials in blue with red penwork decoration, and small initials in gold with brown penwork decoration. Line-fillers in gold, red, and blue. Missal, Use